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In Bryon's Shadow draws on a wide range of sources to create a model for literary history that synthesizes literary investigation and cultural studies to develop a fuller understanding of the historical forces influencing the Anglo-American conception of modern Greece."--Jacket.
New World Maker reappraises Langston Hughes's political poetry, reading the writer's leftist works in the context of his practice of translation to reveal an important meditation on diaspora.
A definitive collection of poetic works by the eminent playwright features substantial piece variants, poems from his plays, and accompanying explanatory notes, in a volume that is complemented by a CD recording of the author's reading of his Blue Mountain Ballads and other works. Reprint.
“The Ellington Century is a wonderful journey through the world of music and art. If you are already an aficionado of Ellington's music, you will enjoy the author's informative and detailed analysis of the composer's work and musical influences. If you are less familiar, this book puts Ellington's music in perspective with the great ‘classical’ composers of the twentieth century. David Schiff's remarkable insight into the historical and musical parallels between these composers is a delight to read and his references are vast, from Schoenberg’s Pierrot Lunaire and Stravinsky’s Agon to television’s Sesame Street. Schiff writes with a sense of humor and an enthusiasm for Ellington'...
In this second collection of poems paying homage to his mother, David Kates confronts the paradox of his inheritance. Inheriting Weight deepens and widens the exploration of life and love, this time tracing concentric circles around the spirit of loss. ... A brilliant collection of work. -Martha Fuller, Instructor, Otis College of Art + Design, UC Irvine Extension, Bowers Museum, and Skirball Cultural Center Inheriting Weight continues the true story of David A. Kates, who, after losing his beloved mother to cancer, picks up life's pieces and starts fresh. David is inspired by all that he has inherited--physical, emotional, and spiritual gifts. The poems are distinctly influenced by images of nature, multi-genre music, global travel, and relationships with friends and family. It is a memoir of fervent renewal after tremendous loss.
Addresses the absence of Jewish subjects in intersectionality studies and demonstrates how to do intersectionality work inclusive of Jewish perspectives. Jewish Feminism and Intersectionality explores a range of opportunities to apply and build intersectionality studies from within the life and work of Jewish feminism in the United States today. Marla Brettschneider builds on the best of what has been done in the field and offers a constructive internal critique. Working from a nonidentitarian paradigm, Brettschneider uses a Jewish critical lens to discuss the ways different politically salient identity signifiers cocreate and mutually constitute each other. She also includes analyses of mat...
This edited volume aims to reposition intertextuality in relation to recent trends in critical practice. Inspired by the work of Sara Ahmed in particular, our authors explore and reconfigure classic theories of authorship, influence and the text (including those by Roland Barthes, Michel Foucault and Harold Bloom), updating these conversations to include intersectionality specifically, broadly understood to include gendered, racial and other forms of social justice including disability, and the progressive impact of the transmission and transformation of texts. This diverse volume includes discussions of major canonical works such as James Joyce’s Ulysses alongside the recent contemporary ...
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Edith Wharton was not only the author of novels and short stories but also of drama, poetry, autobiography, interior decoration, and travel writing. This study focuses on Wharton’s symbolic representations of architecture in her travel writings. It shows how a network of allusions to travel writing and art history books influenced Wharton’s representations of architectural and natural spaces. The book demonstrates Wharton’s complex relationship to works of art historians (John Ruskin, Émile Mâle, Arthur C. Porter) and travel authors (Wolfgang Goethe, Henry Adams, Henry James) in the trajectory of her travel writing. Kovács surveys how the acknowledgment of Wharton’s sources sheds light both on the author’s model of aesthetic understanding and scenic architectural descriptions, and how the shock of the Great War changed Wharton’s travel destinations but not her symbolic view of architecture as a mediator of things past. Wharton’s symbolic representations of architecture provide a new key to her travel writings.