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A Little Primer of Tu Fu
The deepest and most varied of the Tang Dynasty poets, Tu Fu (Du Fu) is, in the words of David Hinton, the “first complete poetic sensibility in Chinese literature.” First published in 1967, this book presents thirtyfive Chinese poems with a pinyin transliteration, a characterbycharacter translation, and commentaries on the subject, form, and historical background. Hawkes gives us a nutsandbolts account of how the poems of one of the world's greatest poets are constructed. It's an irresistible challenge for readers to invent their own translations.
Style, Wit and Word-Play
This collection of essays is dedicated to the memory of David Hawkes (1923–2009), who is remembered as a pre-eminent translator and interpreter of Chinese literature into English, his most famous work being the translation of the classic eighteenth-century Chinese novel, the Hongloumeng or The Story of the Stone. The first part of the collection consists of studies on him and his works; the second part on the art of translation into English from Chinese literature. All the essays are written by scholars in the field from Britain, America, Australia and Hong Kong.
Ideology
With a clear focus on student needs, David Hawkes traces the history of the term and the debates which surround it, from Machiavelli to the present day.
Ideology
Ideology is a clear, even-handed overview of the broad subject of ideology. Hawkes considers all the various meanings and definitions, and traces the history of the debates surrounding ideology from Martin Luther through to modern approaches.
A Birthday Book for Brother Stone
In this unusual and varied birthday book (a Festschrift with a difference), over forty of David Hawkes friends, students, colleagues and admirers from all over the world have come together to wish him a happy birthday, and to celebrate the man, and his scholarly and creative achievements.
Classical, Modern, and Humane
A collection of essays, originally published between 1955 and 1983.
The Reign of Anti-logos
The concept of ‘performativity’ has risen to prominence throughout the humanities. The rise of financial derivatives reflects the power of the performative sign in the economic sphere. As recent debates about gender identity show, the concept of performativity is also profoundly influential on people’s personal lives. Although the autonomous power of representation has been studied in disciplines ranging from economics to poetics, however, it has not yet been evaluated in ethical terms. This book supplies that deficiency, providing an ethical critique of performative representation as it is manifested in semiotics, linguistics, philosophy, poetics, theology and economics. It constructs a moral criticism of the performative sign in two ways: first, by identifying its rise to power as a single phenomenon manifested in various different areas; and second, by locating efficacious representation in its historical context, thus connecting it to idolatry, magic, usury and similar performative signs. The book concludes by suggesting that earlier ethical critiques of efficacious representation might be revived in our own postmodern era.
Liu Yi and the Dragon Princess
This is an adaptation of the thirteenth-century zaju play Liu Yi Chuan Shu, which was itself based on an eighth-century fairy tale about a failed examination candidate's encounter with a shepherdess in distress who turns out to be the youngest daughter of the Dragon King of Lake Dongting. The young man's help is rewarded with riches, immortality and marriage to the beautiful princess. It is a wish-fulfillment fantasy written with charm and a certain ironical edge. This adaptation consists of the freely-translated lyrics of the zaju with new, original dialogue, including an on-stage narrator. There is a long introduction with synopses of the Chinese text of the zaju and the original story it was based on. There is also an appendix explaining the use of "padding words" in zaju.
John Milton
John Milton — poet, polemicist, public servant, and author of one of the greatest masterpieces in English literature, Paradise Lost — is revered today as a great writer and a proponent of free speech. In his time, however, his ideas far exceeded the orthodoxy of English life; spurred by his conscience and an iron grip on logic, Milton was uncompromising in his beliefs at a time of great religious and political flux in England. In John Milton, David Hawkes expertly interweaves details from Milton's public and private life, providing new insight into the man and his prophetic stance on politics and the social order. By including a broad range of Milton's iconoclastic views on issues as diverse as politics, economics, and sex, Hawkes suggests that Milton's approach to market capitalism, political violence, and religious terrorism continues to be applicable even in the 21st century. This insightful biography closely examines Milton's participation in the English civil war and his startlingly modern ideas about capitalism, love, and marriage, reminding us that human liberty and autonomy should never be taken for granted.
Idols of the Marketplace
Postmodern society seems incapable of elaborating an ethical critique of the market economy. Early modern society showed no such reticence. Between 1580 and 1680, Aristotelian teleology was replaced as the dominant mode of philosophy in England by Baconian empiricism. This was a process with implications for every sphere of life: for politics and theology, economics and ethics, aesthetics and sexuality. Through nuanced and original readings of Shakespeare, Herbert, Donne, Milton, Traherne, and Bunyan, David Hawkes sheds light on the antitheatrical controversy, and early modern debates over idolatry and value and trade. Hawkes argues that the people of Renaissance England believed that the decline of telos resulted in a reified, fetishistic mode of consciousness which manifests itself in such phenomena as religious idolatry, commodity fetish, and carnal sensuality. He suggests that the resulting early modern critique of the market economy has much to offer postmodern society.
