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A sensuous, heartbreaking novel about art, beauty and the choices we make that define us for life, from the author of the Giller Prize finalist Summer Gone. A young man travels to Paris in 1968, where a series of unlikely events take him to a tiny village in Italy—and the one great love of his life. A marble merchant meets a couple on their honeymoon, introducing them to the sensual beauty of Carrara. An Italian woman arrives in Canada to find the father she never knew. A terrible accident in a marble quarry changes the course of a young boy’s life and, ultimately, sets in motion each of these stories, which Macfarlane masterfully shapes into a magnificent whole. Oliver Hughson falls in ...
Emulating the circuitous tales told by his mother’s relatives, the Goodyears of Newfoundland, David Macfarlane weaves the major events of the island’s twentieth century—the ravages of tuberculosis, the great seal-hunt disaster, the bitter Confederation debate, and above all, the First World War—into his own tale of the ill-starred fortunes of his family. He brings to life a multi-generational cast of characters who are as colourful as only Newfoundlanders can be. With humour, insight and genuine love for these heroes and charlatans, pirates and dreamers, he explores the meaning of family and the consequences of forgotten history.
When the worst that can happen, happens, the only useful lesson is the knowledge that it can. That's the take-away: a world can actually end, time can actually run out, sadness can prevail. But I didn't know that then . . . From one of Canada's most celebrated writers and the author of the classic memoir The Danger Tree comes an occasionally hilarious, sometimes heart-breaking meditation on love, memory, and the fathomless depths of grief. Likeness is a multi-generational story told through the vehicle of a painting, a portrait of Macfarlane by the well-known Canadian artist, John Hartman. The painting has ended up unexpectedly, temporarily, and enormously in Macfarlane's living room. He loo...
The unmissable new book from the bestselling, prize-winning author of Landmarks, The Old Ways and The Lost Words Discover the hidden worlds beneath our feet... In Underland, Robert Macfarlane takes a dazzling journey into the concealed geographies of the ground beneath our feet - the hidden regions beneath the visible surfaces of the world. From the vast below-ground mycelial networks by which trees communicate, to the ice-blue depths of glacial moulins, and from North Yorkshire to the Lofoten Islands, he traces an uncharted, deep-time voyage. Underland a thrilling new chapter in Macfarlane's long-term exploration of the relations of landscape and the human heart. 'He is the great nature writer, and nature poet, of this generation' Wall Street Journal 'Packed with stories based in geography, history, myth, gossip, legend, religion, geology and the natural world. Macfarlane's writing moves and enthrals' The Times on The Old Ways 'Irradiated by a profound sense of wonder... Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent on Landmarks
You might think that an autobiography by the senior chairman of McDonald's in Canada and Russia would be a modestly boastful, ho-hum business story of expansion and board-room debates, wrapped in some nice reminiscences about his family. You would be very wrong. Because this is George Cohon's autobiography, and George Cohon ("Call me George, please!") is not an ordinary man...not in his approach to business and not in his approach to telling his life story. It's true that George Cohon is one of the most successful businessmen of his generation and that he's also one of the most colourful. But the man you'll meet in the pages of "To Russia With Fries is considerably more complex than that des...
SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE SHORTLISTED FOR THE WAINWRIGHT PRIZE From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS 'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent 'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times 'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian 'Gorgeous, thoughtful and lyrical' Independent on Sunday 'Feels as if [it] somehow grew out of the land itself. ...
John Hartman paints thirty-two of Canada?s finest authors into their chosen landscape-- cities, mountains, towns, and beaches ranging from Tofino, British Columbia, to Elliston, Newfoundland. Each portrait is accompanied by a personal essay that describes how place influences the author?s life and work. The result is a unique and striking look at this country, overflowing with life.
Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway, Robert Macfarlane and Stanley Donwood 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song' Max Porter, Booker-longlisted author of Grief is the Thing with Feathers Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. ...
Helen Macfarlane, a young British woman, was living in Vienna when she was radicalized by the 1848 Revolution. On returning to England in 1850, she became a journalist for the radical wing of the Chartist movement. The Chartists received support from such luminaries as Karl Marx and Fredrich Engles; the latter had written on the movement's political significance. It was Marx who described Macfarlane as the most original writer in the Chartist press. Macfarlane was the first English translator of The Communist Manifesto. Her original translation is included in this edition. She is also the first of the British to comment, critically and extensively, on the revolutionary implications of Hegel's philosophy. After having been hidden for a century her stature as a revolutionary, writer, and feminist emerges in David Black's seminal work. With diligent research into her life and work, Black, in Helen Macfarlane: A Feminist, Revolutionary Journalist, and Philosopher in Mid 19th Century England, recreates her intellectual and political world at a key turning point in European history. This work also includes Macfarlane's original translation of The Communist Manifesto.
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