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Summer Gone
A haunting novel about love experienced and love remembered that is also an unforgettable celebration and evocation of the brief beauty of a northern summer. Summer Gone is about that moment when everything stops. Like skilled canoeists, we briefly hold a perfect balance - poised between innocence and experience, life and death, discovery and loss, the promise of spring and the sadness of autumn - and we believe, foolishly, that those perfect days will last forever. Set among the islands and lakes of "cottage country", this major first novel from one of Canada's premier writers explores the stories of three generations of lost summers. But Summer Gone is primarily the story of a divorced father and a young son separated by the silence of estrangement, and how during one extraordinary night on an ill-fated canoe trip the silence is broken. Yet, as the novel unfolds, tragedy looms over father and son in ways they could never have imagined, and leads to the book's gripping and startling conclusion. Summer Gone is an exquisite novel, beautifully written and powerfully told.
The Figures of Beauty
“Rich, imaginative. . . . One of the best novels I’ve read all year.”—Ross King, author of Leonardo and the Last Supper A sensuous, heartbreaking novel about art, beauty, and the choices we make that define us for life. In 1968 a young man travels to Paris, where a series of unlikely events takes him to a tiny village in Italy—and to the one great love of his life. A marble merchant meets a couple on their honeymoon, introducing them to the sensual beauty of Carrara. An Italian woman arrives in Canada to find the father she never knew. A terrible accident in a marble quarry changes the course of a young boy’s life and, ultimately, sets in motion each of these stories, which David Macfarlane masterfully shapes into a magnificent whole. “A beautifully written, complex, and bittersweet story that spans continents and eras.”—Daphne Kalotay, author of Russian Winter and Sight Reading
The Danger Tree
Emulating the circuitous tales told by his mother’s relatives, the Goodyears of Newfoundland, David Macfarlane weaves the major events of the island’s twentieth century—the ravages of tuberculosis, the great seal-hunt disaster, the bitter Confederation debate, and above all, the First World War—into his own tale of the ill-starred fortunes of his family. He brings to life a multi-generational cast of characters who are as colourful as only Newfoundlanders can be. With humour, insight and genuine love for these heroes and charlatans, pirates and dreamers, he explores the meaning of family and the consequences of forgotten history.
Underland
Follow Robert Macfarlane to the furthest corners of the globe.... A SUNDAY TIMES BESTSELLER WINNER OF THE WAINWRIGHT PRIZE 2019 WINNER OF THE STANFORD DOLMAN TRAVEL BOOK OF THE YEAR AWARD 2020 'You'd be crazy not to read this book' The Sunday Times A Guardian Best Book of the 21st Century In Underland, Robert Macfarlane takes us on a journey into the worlds beneath our feet. From the ice-blue depths of Greenland's glaciers, to the underground networks by which trees communicate, from Bronze Age burial chambers to the rock art of remote Arctic sea-caves, this is a deep-time voyage into the planet's past and future. Global in its geography, gripping in its voice and haunting in its implication...
Likeness
When the worst that can happen, happens, the only useful lesson is the knowledge that it can. That's the take-away: a world can actually end, time can actually run out, sadness can prevail. But I didn't know that then . . . From one of Canada's most celebrated writers and the author of the classic memoir The Danger Tree comes an occasionally hilarious, sometimes heart-breaking meditation on love, memory, and the fathomless depths of grief. Likeness is a multi-generational story told through the vehicle of a painting, a portrait of Macfarlane by the well-known Canadian artist, John Hartman. The painting has ended up unexpectedly, temporarily, and enormously in Macfarlane's living room. He loo...
To Russia with Fries
You might think that an autobiography by the senior chairman of McDonald's in Canada and Russia would be a modestly boastful, ho-hum business story of expansion and board-room debates, wrapped in some nice reminiscences about his family. You would be very wrong. Because this is George Cohon's autobiography, and George Cohon ("Call me George, please!") is not an ordinary man...not in his approach to business and not in his approach to telling his life story. It's true that George Cohon is one of the most successful businessmen of his generation and that he's also one of the most colourful. But the man you'll meet in the pages of "To Russia With Fries is considerably more complex than that des...
The Vicar
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Ness
Eerie, unsettling and hauntingly beautiful - a new collaboration from the bestselling creators of Holloway, Robert Macfarlane and Stanley Donwood 'Ness goes beyond what we expect books to do. Beyond poetry, beyond the word, beyond the bomb -- it is an aftertime song' Max Porter, Booker-longlisted author of Grief is the Thing with Feathers Somewhere on a salt-and-shingle island, inside a ruined concrete structure known as The Green Chapel, a figure called The Armourer is leading a ritual with terrible intent. But something is coming to stop him. Five more-than-human forms are traversing land, sea and time towards The Green Chapel, moving to the point where they will converge and become Ness. ...
The South Country
This book is a freeform collection of thoughts and wonderings of lyrical poet Edward Thomas. His love for the countryside is brought to life by his gentle descriptions of the English countryside. Capturing his thoughts and feelings about natural history, folk culture, and nature's beauty, this text is considered one of the author's best prose pieces.
Landmarks
SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE SHORTLISTED FOR THE WAINWRIGHT PRIZE From the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS 'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent 'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times 'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian 'Gorgeous, thoughtful and lyrical' Independent on Sunday 'Feels as if [it] somehow grew out of the land itself. ...
