You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
As in many Native American communities, people on the San Carlos Apache reservation in southeastern Arizona have for centuries been exposed to contradictory pressures. One set of expectations is about conversion and modernizationÑspiritual, linguistic, cultural, technological. Another is about steadfast perseverance in the face of this cultural onslaught. Within this contradictory context lies the question of what validates a sense of Apache identity. For many people on the San Carlos reservation, both the traditional calls of the Mountain Spirits and the hard edge of a country, rock, or reggae song can evoke the feeling of being Apache. Using insights gained from both linguistic and musica...
This book offers a new theory of the historical relationship between economic modernization and the emergence of democracy on a global scale, focusing on the effects of land and income inequality.
This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
Writing for Harper's and the New Yorker over the last decade, David Samuels has penned a disillusioned love song to the often amusing and sometimes fatal American habit of self-delusion, reporting from a landscape peopled by salesmen, dreamers, radical environmentalists, suburban hip-hop stars, demolition experts, aging baseball legends, billionaire crackpots, and dog track bettors whose heartbreaking failures and occasional successes are illuminated by flashes of anger and humor. Including profiles of Pacific Northwest radicals and Nevada nuclear test site workers alongside coverage of Pentagon press conferences and the Super Bowl in Detroit, Only Love Can Break Your Heart proves Samuels to be a wonderful inheritor of the great journalistic tradition established by Gay Talese, Tom Wolfe, and Joan Didion in the 1960s. This first collection of his painstakingly reported and wildly inventive writing reveals the full spectrum of his talents, as well as an unusual sensitivity to both the tragic and comic dissonances bubbling up from the gap between the American promise of endless nirvana and the lives of ordinary citizens who struggle to live out their dreams.
Debuting in its first edition and written by a new generation of area studies experts, Case Studies in Comparative Politics follows a questions-based approach that helps readers understand different countries' political histories, institutions, identities, and interests and why each country is politically interesting and relevant. When used on its own or with the accompanying thematic survey, Case Studies in Comparative Politics asks--and answers--the same important questions that political scientists research and that are relevant to anyone interested in politics.
"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.
The Runner tells the remarkable true story of a teenage drifter and petty thief named James Hogue who woke up one cold winter morning in a storage shed in Utah and decided to start his life anew. Re-imagining himself as a self-educated ranch hand named Alexi Indris-Santana who read Plato under the stars and could run a mile in under four minutes, Hogue applied and was accepted to Princeton University, where he excelled academically, made the track team, and became a member of the elite Ivy Club. Echoing both The Great Gatsby and The Talented Mr. Ripley, the story of Hogue’s life before and after he went to Princeton is both an immensely affecting portrait of a dreamer and a striking indictment of the Ivy League “meritocracy” to which Hogue wanted so badly to belong. Drawing elegant parallels between Hogue’s ambitions and the American myth of self-invention, while also examining his own uneasy identification with his troubled subject, David Samuels has fashioned a powerful metaphor for the corruptions of the American dream, revealing exceptional gifts as a reporter and literary stylist.
Debuting in its first edition and driven by a question-based approach, Comparative Politics shows readers how to do real comparative analysis while introducing them to political institutions, identities, and interests. This thematic survey uniquely balances the how-analytical knowledge-and the what-descriptive knowledge-to help readers make their own political arguments and to thus be more critically informed and engaged political participants.
This book presents an account of the adoption of electoral reforms democratizing electoral practices in nineteenth century European countries.
Sound Relations delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres--from hip hop to Christian hymnody and traditional drumsongs to funk and R&B --author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.