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Black Sea
New Poetry
Azores
Like a voyage to the Portuguese islands of the title, the poems in Azores arrive at their striking and hard-won destinations over the often-treacherous waters of experience--a man mourns the fact that he cannot not mourn, a father warns his daughter about harsh contingency, an unnamed visitor violently disrupts a quiet domestic scene.
Birds of the Air
A collection of poems by David Yezzi
The Best American Poetry 1996
From Simon & Schuster, in its ninth year, The Best American Poetry 1996 is universally acclaimed as the best anthology in the field. The compilation includes a diverse abundance of poems published in 1995 in more than 40 publications ranging from The New Yorker to The Paris Review to Bamboo Ridge.
Eat This Poem
A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.
The Best American Poetry 2006
"So welcome, readers, to a plurality of poets, a cornucopia of tropes, and a range of interests." -- From Billy Collins's introduction The Best American Poetry series offers a distinguished poet's selection of poems published in the course of a year. The guest editor for 2006 is Billy Collins, one of our most beloved poets, who has chosen poems of wit, humor, imagination, and surprise, in an array of styles and forms. The result is a celebration of the pleasures of poetry -- from Laura Cronk's marvelous "Sestina for the Newly Married" to the elegant limericks of R. S. Gwynn and from Reb Livingston on butter to Mark Halliday's "Refusal to Notice Beautiful Women." In his charming and candid introduction Collins explains how he chose seventy-five poems from among the thousands he considered. With insightful comments from the poets illuminating their work, and series editor David Lehman's thought-provoking foreword, The Best American Poetry 2006 is a brilliant addition to a series that links the most noteworthy verse and prose poems of our time to a readership as discerning as it is devoted to the art of poetry.
For a Modest God
Ormsby's new work is here presented together with a generous selection from two previous volumes published in Canada, Bavarian Shrine and Other Poems and Coastlines. In this earlier material, the poet delights in celebrating the hidden life in everyday objects: a twisted nail, a seashell, a roadside weed, the human body itself. Revealing the mystery and amazement contained in the quotidian, Ormsby's poetry has always been able to transmute the humblest object by virtue of his stunning gift for metaphor and his opulent exuberance of language. This is a poet whose verse rewards both the head and the heart, who can discover entire galaxies in a scrap of lichen, who can locate an entire lifetime of submerged emotion in the touch of an old woman's hand.
Ted and I
On 17 August 1930, nine-year-old Gerald Hughes was introduced to his new baby brother, Ted, born in the middle of the night by the light of a bright star. From the moment Ted could toddle, they were inseparable, with Ted following his older brother everywhere: roaming the Yorkshire countryside, camping, making fires, pitching tents, hunting rabbits, rats, wood pigeon and stoats, flying kites, building model planes, fishing. All these adventures were to fuel the future Poet Laureate's fascination with wildlife and the countryside, many of his finest poems having their roots in these early experiences. Those carefree, magical days are beautifully recalled in these pages, along with delightful ...
Oldest Mortal Myth
The precise gaze and chiseled language of the poems in Oldest Mortal Myth authoritatively convey a broad and deep knowledge. Whether a reimagining a Greek myth in order to infuse it with a contemporary pain, extending empathy and humorous Mitmenschkeit to both denizens and voyeurs of the world's freakshows, or describing with wit and experience the spiritual affects of medical conditions, the book is infused with restrained but piercing emotion, a subtle metrical ear, and enough daring and wit to write in rhymed couplets to take the obvious, easy way. For instance, with the last line of "De Wallen, Amsterdam" "The moon above the spires, a sexless disk, /eyes us coolly as an odalisque." I so admire the refusal to make that last line scan as a perfect iambic pentameter line. It would be so easy; all you'd have to do is add the grammatical, but colloquial, "as." Which would have ruined the line, and the poem. Oh, and the rhymes in the canzone! There's much to admire here, much to enjoy. --Marilyn Nelson
