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The evolution of Ernest Bloch's music is traced throughout his travels in Europe and America. A complete picture of Bloch emerges from this integrated study of his life and his music. The opening biographical chapter provides a brief, personal history from which Bloch's career and many interests follow, including his pursuits in photography. The biographical information provides the framework for addressing the Jewish Question, a common focus of Bloch's work. Bloch emerges, from this multifaceted study, as a composer whose music must be examined within both its Jewish heritage and in a larger, universal context. Musicians, scholars, and Bloch enthusiasts will welcome this volume examining Ernest Bloch's life, career and major works which are enhanced throughout by musical examples. Bloch's professional development is easily traced through the chronological organization of the book.
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
Examines the complicated history of a Jewish cultural organization supported by Nazi Germany
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
More than fifty years after his death, Albert Einstein's vital engagement with the world continues to inspire others, spurring conversations, projects, and research, in the sciences as well as the humanities. Einstein for the 21st Century shows us why he remains a figure of fascination. In this wide-ranging collection, eminent artists, historians, scientists, and social scientists describe Einstein's influence on their work, and consider his relevance for the future. Scientists discuss how Einstein's vision continues to motivate them, whether in their quest for a fundamental description of nature or in their investigations in chaos theory; art scholars and artists explore his ties to modern ...
Six essays survey the ideas that directly and indirectly influenced Christopher Columbus, showing how he was a product of his time. The topics include the Spain of Ferdinand and Isabella, artistic discovery, science, navigation and ships, and music. No index. Annotation copyright Book News, Inc. Por
Although it isn't the official national anthem, America may be the most important and interesting patriotic song in our national repertoire. Sweet Freedom's Song: "My Country 'Tis of Thee" and Democracy in America is a celebration and critical exploration of the complicated musical, cultural and political roles played by the song America over the past 250 years. Popularly known as My Country 'Tis of Thee and as God Save the King/Queen before that this tune has a history as rich as the country it extols. In Sweet Freedom's Song, Robert Branham and Stephen Hartnett chronicle this song's many incarnations over the centuries. Colonial Americans, Southern slaveowners, abolitionists, temperance ca...
Virtually every aspect of American culture has been profoundly influenced by Jewish immigrants and their descendants.
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.