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A slip-cased facsimile of the first ever 'Dandy' annual published in 1941. It will appeal to all of the generations who have read the 'Dandy' and will provide a great insight to the early days of the comic.
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Thirteen-year-old Ivy North is an adventurer. She can pitch a tent in four minutes flat, knows the local landscape like the back of her hand, and she’s an expert map reader. There's just one problem. She's afraid to go outside But when her little brother is transformed into a kestrel by a powerful sorcerer, Ivy is the only one who can rescue him. Following him through a mysterious hole in the garden wall, she emerges in Underfell – an enchanted realm that seems like the Lake District she knows, but is dangerously different. Battling her dread of being out in the open, Ivy must gather all her courage to navigate a path across this extraordinary world, where haughty fairies with birds' wings fly through purple skies and a ghostly spectre haunts her every step. With the help of an unexpected new friend, can Ivy break the spell – before her brother becomes a bird forever? An immersive and beautifully written fantasy adventure, The Sky Beneath the Stone is a soaring journey of family, friendship, overcoming fear – and realising that we are never as lost as we think we are. Alex Mullarky's debut novel introduces a captivating new talent in children's fiction.
A reader’s history exploring the forgotten genre of girls’ comics Girls’ comics were a major genre from the 1950s onwards in Britain. The most popular titles sold between 800,000 and a million copies a week. However, this genre was slowly replaced by magazines which now dominate publishing for girls. Remembered Reading is a readers’ history which explores the genre, and memories of those comics, looking at how and why this rich history has been forgotten. The research is based around both analysis of what the titles contained and interviews with women about their childhood comic reading. In addition, it also looks at the other comic books that British girls engaged with, including humour comics and superhero titles. In doing so it looks at intersections of class, girlhood, and genre, and puts comic reading into historical, cultural, and educational context.
The Beano is Britain's longest-running and best-loved comic. Since 1938 it has brought thrills and laughter to generation after generation of children, seeing the young and young-at-heart through World War 2, the social changes of the 1950s and 60s and on into a new millennium. How has the comic evolved since its early days? How many of the classic characters and their stories do you remember? What are the important changes that have happened through the years, why have they happened and why has The Beano survived when all the other comics have folded? Every child in the UK since the 1950s has known Dennis the Menace, the Bash Street Kids, Minnie the Minx and Roger the Dodger, but how many know the writers and artists who created these iconic comic characters? How do they write the scripts week after week? Where did the inspiration come from? How did the artists come to work for this Great British institution? This is the story of the Beano Comic, told in the words of the people who made it, going back to the dark, harsh days of the 1930s and continuing through to the present day. A unique insight into the country’s most beloved comic.
This book dispels myths surrounding the newspaper industry’s financial viability in an online world, arguing that widespread predictions of pending newspaper extinction are based mostly on misunderstandings of the industry’s operations. Drawing from his training as a business journalist, Marc Edge undertakes a thorough analysis of annual financial statements provided by newspaper companies themselves to explain the industry’s arcane economics. This book contextualizes available data within the historical context in which various news publishers operate and outlines the economic history of UK newspapers. It also investigates how UK newspapers survived the 2008–09 recession, considering both national and provincial markets separately. A rigorous look at an often-neglected aspect of the newspaper industry, this volume will be an essential read for scholars of media studies, journalism studies, and communication studies, especially those interested in studying journalism and news production as occupational identities.
A large-scale reference work covering the journalism industry in 19th-Century Britain.
In this volume a range of distinguished contributors provide an original analysis of the book in Scotland during a period that has been until now greatly under-researched and little understood. The issues covered by this volume include the professionalisation of publishing, its scale, technological developments, the role of the state, including the library service, the institutional structure of the book in Scotland, industrial relations, union activity and organisation, women and the Scottish book, and the economics of publishing. Separate chapters cover Scottish publishing and literary culture, publishing genres, the art of print culture, distribution, and authors and readers. The volume also includes an innovative use of illustrative case studies.