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PRAISE FOR Yours, Mine & Ours: Creating a Compelling Donor Experience "Using the principles penned in this book, Barry McLeish has helped our nonprofit grow its customer base 400% with plans to double it yet again approved by our board. The creation of a compelling donor experience has increased gifts 1,000%." --Ron Ward Executive Director Camp Berea "Nonprofits face constant pressure from a public scrutinizing our every move, demanding more service for less cost. Into this perfect storm, Barry McLeish has cast a lifeline. He has given us the power to discern snake oil from salve and to craft custom strategies for our unique organizations. Those who survive the future shakeout and fragmentat...
Early Chinese ideas about the construction of an ordered human space received narrative form in a set of stories dealing with the rescue of the world and its inhabitants from a universal flood. This book demonstrates how early Chinese stories of the re-creation of the world from a watery chaos provided principles underlying such fundamental units as the state, lineage, the married couple, and even the human body. These myths also supplied a charter for the major political and social institutions of Warring States (481–221 BC) and early imperial (220 BC–AD 220) China. In some versions of the tales, the flood was triggered by rebellion, while other versions linked the taming of the flood w...
Daniel Morgan was born in Norwich, Connecticut, ca. 1770-1774, son of William and Martha Morgan. He married Polly Frost (born 1776), daughter of Ebenezer Frost and Luthena Cady, in 1795. They moved to Schoharie County, New York in the early 1800's and later to Gennessee County. Daniel died after 1830. Frost ancestors are traced to Edmund Frost who came to Cambridge, Massachusetts in 1635. Other Frost ancestral families are the Pratts, Danas, Waterhouses, and Cadys. Descendants lived in New York, Illinois, Indiana, Ohio, Kansas, Iowa, Michigan, Colorado, Nebraska, and elsewhere.
The I Ching (Yijing) is an important text in the canon of world literature. It is also a divination tool familiar to millions of modern users. Books on the I Ching tend to approach it exclusively as one or the other: literary text or oracle. This annotated translation is designed to reconcile a century of provocative new scholarship with the function of divination for the modern reader. The most exciting new scholarship illuminates the epic tale of wise King Wen, valorous King Wu, and the rise of the Zhou dynasty. The emergence of this wonderful story explains countless cryptic allusions in the I Ching. It also provides an elegant way to recover the divinatory function for the modern reader, and suggests how it may have functioned for the original diviners. In this view, to make a divination is to read the moment against the dynasty change narrative -- truly to "consult King Wen".
Literary History: Towards a Global Perspective is a research project funded by the Swedish Research Council (Vetenskapsrådet). Initiated in 1996 and launched in 1999, it aims at finding suitable methods and approaches for studying and analysing literature globally, emphasizing the comparative and intercultural aspect. Even though we nowadays have fast and easy access to any kind of information on literature and literary history, we encounter, more than ever, the difficulty of finding a credible overall perspective on world literary history. Until today, literary cultures and traditions have usually been studied separately, each field using its own principles and methods. Even the conceptual...
Since the beginning of the twentieth century, hundreds of thousands of documents of all sorts have been unearthed in China, opening whole new fields of study and transforming our modern understanding of ancient China. While these discoveries have necessarily taken place in China, Western scholars have also contributed to the study of these documents throughout this entire period. This book provides a comprehensive survey of the contributions of these Western scholars to the field of Chinese paleography, and especially to study of oracle-bone inscriptions, bronze and stone inscriptions, and manuscripts written on bamboo and silk. Each of these topics is provided with a comprehensive narrative...
This book examines the formation of the Chinese empire through its reorganization and reinterpretation of its basic spatial units: the human body, the household, the city, the region, and the world. The central theme of the book is the way all these forms of ordered space were reshaped by the project of unification and how, at the same time, that unification was constrained and limited by the necessary survival of the units on which it was based. Consequently, as Mark Edward Lewis shows, each level of spatial organization could achieve order and meaning only within an encompassing, superior whole: the body within the household, the household within the lineage and state, the city within the region, and the region within the world empire, while each level still contained within itself the smaller units from which it was formed. The unity that was the empire's highest goal avoided collapse back into the original chaos of nondistinction only by preserving within itself the very divisions on the basis of family or region that it claimed to transcend.
James Campbell (1791-1879) was born in Washington Co., Tennessee, the son of James Campbell and Jane Sample. On March 20, 1813 he married Sophia Downing (1793-1866) in Barren Co., Kentucky. She was born in Frederick Co., Maryland. James and Sophia had nine children, all born in Kentucky. The youngest daughter, Melvina, was about a year old in 1837 when the family migrated to central Missouri. Both are buried in the Campbell Burying Ground south of Russellville, Missouri. Descendants live in Missouri, Kansas and elsewhere.
Starting with a reevaluation of the critical scholarship done on the Chinese text, the Mu T'ien-tzu chuan, the author challenges the view of the text as a product of historical composition. Porter then argues that the discursive structures of flood myths, elements of which appear in the Mu T'ien-tzu chuan, have their origins in an attempt to mediate linguistically the frightening consequences of the falsification of cosmological truths. The heuristic potential of the psychoanalytical theory of the symbol is used to explain the specific cosmogonic intentions underlying the genesis of myth, as well as broader manifestations of historical, social, and cultural behavior, most particularly literary works like the Mu T'ien-tzu chuan. The author explains how mythic symbols invested with cosmogonic and regenerative significance are appropriated in the literary resolution of a socio-political trauma analogous to those mediated by flood myths. Finally, she argues that not simply the Mu T'ien-tzu chuan but Chinese fictional discourse in general is most appropriately understood as a wholly symbolic form.