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Beginning in 1924, Proceedings are incorporated into the Apr. no.
Here are eighty-three poems on the eternal and timely themes of nature, written by both eminent poets and emerging talents. In various forms of verse, they bring to these pages a vigorous diversity of creatures, weathers, and landscapes from all regions of America. They decry ecological injuries, celebrate nature's beauties and point to its many mysteries, and bear witness to our ever-available opportunity to recognize ourselves as rightful members of the evolutionary flow of earthly life. Poetry has a distinct and indispensable role to play in our evolving relationship with the natural world that we are at the same time part of and estranged from. Along with a scientific understanding of nature, we need just as crucially--more crucially, perhaps--a revived imaginal awareness, a knowledge based in heart and bodily systems. The diverse poems in this collection, most of them first published in Wilderness magazine, offer visions of the wildness within and around us all the time, even in the places we have altered most. This exquisite collection contains illustrations by Deborah Randolph Wildman, adding spirit and charm to make Wild Song a lovely gift for spring and for every season.
The chapters in Art as an Agent for Social Change, presented as snapshots, focus on exploring the power of drama, dance, visual arts, media, music, poetry and film as educative, artistic, imaginative, embodied and relational art forms that are agents of personal and societal change. A range of methods and ontological views are used by the authors in this unique contribution to scholarship, illustrating the comprehensive methodologies and theories that ground arts-based research in Canada, the US, Norway, India, Hong Kong and South Africa. Weaving together a series of chapters (snapshots) under the themes of community building, collaboration and teaching and pedagogy, this book offers examples of how Art as an Agent for Social Change is of particular relevance for many different and often overlapping groups including community artists, K-university instructors, teachers, students, and arts-based educational researchers interested in using the arts to explore social justice in educative ways. This book provokes us to think critically and creatively about what really matters!
Reprint of the original, first published in 1881.
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A philosophical exploration of aesthetic experience during bereavement. In Aesthetics of Grief and Mourning, philosopher Kathleen Marie Higgins reflects on the ways that aesthetics aids people experiencing loss. Some practices related to bereavement, such as funerals, are scripted, but many others are recursive, improvisational, mundane—telling stories, listening to music, and reflecting on art or literature. Higgins shows how these grounding, aesthetic practices can ease the disorienting effects of loss, shedding new light on the importance of aesthetics for personal and communal flourishing.
Exhibition making requires great effort and resources. Are your exhibitions attracting audiences and drawing them back to your museum? The Dimensions of Curation Competing Values Exhibition Model uses three axes to help you to make sense of exhibitions your museum has curated and think intentionally about future curatorial decisions. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it. This book: Introduces competing values and organizational models that address them. Explains the three axes comprising the model and the eight types of exhibitions that result from various combinations of positions on the axes. Looks in depth at case studies of the eight different exhibition types. Provides candid observations about changing curatorial practices. Offers tools to help museums implement the model. Two sections of the book feature practice-based examples from museums in the US and internationally. The third section of the book concentrates on practical tools and considerations for the future of exhibition curation.
Leadership of Inclusive and Sustainable Cultural Organisations: A Practical Guide is the first book to provide guidance on how to lead cultural organisations that are inclusive, diverse and sustainable, and responsive to the public, their communities, their own staff and to popular movements. The book’s seven parts cover the qualities and skills a leader needs, and practical advice on how to develop an organisation that is sustainable, inclusive and diverse. It covers the role of the governing body, how to create an organisation that is constantly learning and adapting, how to deal with political, public and financial pressures, and what external sources of support they can call on. Each c...