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Wanted Women
The author of Emma’s War offers a compelling account of the link between Muslim women’s rights, Islamist opposition to the West, and the Global War on Terror. Wanted Women explores the experiences of two fascinating female champions from opposing sides of the conflict: Islam critic Ayaan Hirsi Ali and neuroscientist Aafia Siddiqui. With Emma’s War: An Aid Worker, A Warlord, Radical Islam and the Politics of Oil, journalist Deborah Scroggins achieved major international acclaim; now, in Wanted Women, Scroggins again exposes a crucial untold story from the center of an ongoing ideological war—laying bare the sexual and cultural stereotypes embraced by both sides of a conflict that threatens to engulf the world.
Emma's War
Tall, striking, and adventurous to a fault, young British relief worker Emma McCune came to Sudan determined to make a difference in a country decimated by the longest-running civil war in Africa. She became a near legend in the bullet-scarred, famine-ridden country, but her eventual marriage to a rebel warlord made international headlines—and spelled disastrous consequences for her ideals. Enriched by Deborah Scroggins’s firsthand experience as an award-winning journalist in Sudan, this unforgettable account of Emma McCune’s tragically short life also provides an up-close look at the volatile politics in the region. It’s a world where international aid fuels armies as well as the starving population, and where the northern-based Islamic government—with ties to Osama bin Laden—is locked in a war with the Christian and pagan south over religion, oil and slaves. Tying together these vastly disparate forces as well as Emma’s own role in the problems of the region, Emma’s War is at once a disturbing love story and a fascinating exploration of the moral quandaries behind humanitarian aid.
Emma's War
Biography of a humanitarian aid worker in Sudan who eventually married a warlord.
Emma’s War: Love, Betrayal and Death in the Sudan
Love, corruption, violence and the dangerous politics of aid in the Sudan, by an exciting new writer.
Emma's War
The riveting, provocative true story of a young relief worker who crossed the line, entering a world she had only intended to help. illustrations. 1 map.
Emma's War
Tall, striking, and adventurous to a fault, young British relief worker Emma McCune came to Sudan determined to make a difference in a country decimated by the longest-running civil war in Africa. She became a near legend in the bullet-scarred, famine-ridden country, but her eventual marriage to a rebel warlord made international headlines—and spelled disastrous consequences for her ideals. Enriched by Deborah Scroggins’s firsthand experience as an award-winning journalist in Sudan, this unforgettable account of Emma McCune’s tragically short life also provides an up-close look at the volatile politics in the region. It’s a world where international aid fuels armies as well as the starving population, and where the northern-based Islamic government—with ties to Osama bin Laden—is locked in a war with the Christian and pagan south over religion, oil and slaves. Tying together these vastly disparate forces as well as Emma’s own role in the problems of the region, Emma’s War is at once a disturbing love story and a fascinating exploration of the moral quandaries behind humanitarian aid.
God's Jury
From Cullen Murphy, editor at large of Vanity Fair, God's Jury is a chilling and powerful account of how the techniques used by the Spanish Inquisition created our modern world. For centuries states have used their power to censor, watch, manipulate and punish. God's Jury argues that the Inquisition - the Catholic body that existed for over 700 years - is not a medieval oddity, but is intrinsically bound up with modernity. From Vatican archives to Guantánamo Bay and the Third Reich, Cullen Murphy shows how the Inquisition's techniques - record-keeping, bureaucracy and a terrifying sense of certainty - are now standard operating procedure, and that the battle between private conscience and o...
Emma's War
Glamorous aid worker Emma McCune conformed to none of the stereotypes: although driven and committed to her work she was at least partially attracted to Africa because it enabled her to live in a style she could not achieve in Britain, and she was famous in East Africa for wearing mini-skirts and for her affairs with African men. Initially much admired, if also suspect for her social flair, she appalled the aid community with her marriage to a local warlord, who was deeply enmeshed in both rebellion and murder. She had fallen in love and, a rebel to the end, she insisted on following her feelings, even if it left her rejected by her fellow worker and in an ambiguous position - was she on the side of the refugees or the warmongers?
Ethiopia and Sudan
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Forlorn Light
To write these poems, I select a paragraph from a Woolf novel-The Waves or Mrs. Dalloway-and only use the words from that paragraph to create a poem. I essentially write poems while doing a word search using Virginia Woolf as source material. I don't allow myself to repeat words, add words, or edit the language for tense or any other consideration. These poems are simultaneously defined by both Woolf's choices with language as well as my own. They feel like an homage to this writer I so admire as well as a way of authentically expressing my lived experience.
