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The Dedalus Book of Decadence
The Decadence Movement which flourished in the 1890s produced some of Europe's most striking and exotic works of literature The Decadents, convinced that civilization was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. The Dedalus Book of Decadence looks south to sample the essence of fine French decadent writing. It succeeds in delivering a range of writers either searching vigorously for the thrill of a healthy crime or lamenting their impuissance from a sickly stupor. --Andrew St George in The Independent
The Second Dedalus Book of Decadence
A black feast with offerings from the major practitioners and their precursors in France and England.
The Second Dedalus Book of Decadence
The Decadent Movement which flourished in the 1890s produced some of Europe’s most striking and exotic works of literature. The Decadents, convinced that civilisation was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. J.-K. Huysmans described Decadence as a ‘black feast’ and The Second Dedalus Book of Decadence offers a veritable banquet, with offerings from the major practitioners in France and England. It completes Brian Stableford seminal two-volume study of the decadent movement.
The Dedalus Book of Decadence
"The Dedalus Book of Decadence looks south to sample the essence of fine French decadent writing. It succeeds in delivering a range of writers either searching vigorously for the thrill of a healthy crime or lamenting their impuissance from a sickly stupor." -- Andrew St George in The Independent "An invaluable sampler of spleen, everything from Baudelaire and Rimbaud to Dowson and Flecker. Let's hear it for 'luxe, calme et volupte'." -- Anne Billson in Time Out
The Second Dedalus Book of Decadence
The Decadence Movement which flourished in the 1890s produced some of Europe's most striking and exotic works of literature The Decadents, convinced that civilization was in a state of terminal decline, refused to rebel as the Romantics had, but set forth instead to cultivate the pleasures of calculated perversity and to seek the artificial paradise of drug-induced hallucination. J.-K. Huysmans described Decadence as a 'black feast' and The Second Dedalus Book of Decadence offers a veritable banquet, with offerings from the major practitioners in France and England. It completes Brian Stableford seminal two-volume study of the decadent movement.
The Dedalus Book of Roman Decadence
This volume collects the poetry and prose that served as the model and inspiration for so much of fin-de-siecle English and French writing, providing a vivid picture of sexual excess and debauchery in a cruel and violent society which has never ceased to fascinate the library and scholarly imagination of succeeding generations. The editor, novelist Geoffrey Farrington, provides a general introduction to the literary and political milieux of imperial Rome, and introductory notes to works by such authors as Ovid, Tacitus, Suetonius, and Juvenal. "...concentrates on the outrageous behaviour of the ruling class of the Roman Empire, as described in passages selected from the prose, poetry and history of the period. Their murder plots, sexual deviances, orgies, cruelty and incessant intrigue put our politicians and their peccadillos on a play school level." Time Out
The Dedalus Book of German Decadence
The Brockhaus encyclopedia of 1896 referred to the decadent literary movement as "a symptom of today's nervous, senile, fragmented society which is impervious to anything healthy and natural" -- and which is primarily French. But beneath the brash and pompous exterior of the German Empire, decadent literature thrived, fueled by the music of Wagner, the paradoxes of Nietzsche, and the writings of Thomas Mann, the movement's self-styled chronicler and analyst. This analogy collects works by Sacher-Masoch, Trakl, Leppin, Przybyszewski, Mann, and other, demonstrating that Berlin, Vienna and Prague served equally with Paris as hosts for this provocative European cultural movement.
