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THE LEGACY OF GANGUBAI HANGAL
When I first began to plan this book, I thought that I would begin the preface with the words ―the purpose of this book is.‖ I am glad to present this book, especially designed to serve the needs of the students. There are so many listeners of Gangubai Hangal who knows her as a renowned classical vocalist but through this work, I tried to show Gangubai Hangal as a role model of humanity whether it is as a daughter, mother, grandmother, or friend. No one walks alone in the quest of attaining knowledge and I am no exception, I must start by thanking all those who joined me in my journey, those who walked beside me, those helped me along the way by continuously urging me to write this thesis and to put my thoughts down. My thanks to all the people who I have met and worked with and shared my insights and problems. This Book and its pages are thanks to all my near ones who have helped me shape it. Sometimes words get limited when it comes to express deep and hearty regards for an inspirational experience of life. I feel myself lucky to come near the milestone which I desperately wanted and finalizing this research is one of those rare beautiful moments of my life.
Kannada Theatre History 1850-1950: A Sourcebook
The present volume has compiled excerpts from a range of writings on theatre that give the reader a view of the varied modes of thinking. They are arranged into six sections, apart from a photo essay. It is not intended to be a history book; but a sourcebook that can lead to a more comprehensive account of Kannada theatre history, or complement the existing history books. Most of the writings in this volume are appearing in English for the first time. The book hopes to be of value to experts as well as theatre practitioners to understand the varied and nuanced narratives within what is normally put together as the history of modern Kannada Theatre.
Indian English Drama: Themes and Techniques
The book Indian English Drama: Themes & Techniques is a volume of research articles on contemporary Indian dramatists and their works starting from Rabindranath Tagore to nearly all present generation of dramatists like Girish Karnad, Vijay Tendulkar, Mahesh Dattani, Badal Sirkar, Habib Tanvir, Utpal Dutt, Mahasweta Devi, Usha Ganguli, Manjula Padmanabhan, Mahesh Elkunchwar and Manoj Mitra. The book will be helpful in giving critical insight to understand the art and vision of contemporary Indian dramatists both from thematic and technical points of view. The introductory chapter of the book is very resourceful to understand the growth and development of Indian English drama. Authors have presented their critical viewpoints on almost every aspect of dramatic arts, themes and techniques pertaining to Indian playwrights and their works. The book will give many ground breaking concepts and ideas on Indian English drama and is useful for both researchers and learners.
Performing the Ramayana Tradition
"Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythologi...
Multiple City
Founded by the chieftain Kempe Gowda around 1537, the story of Bangalore has no grand linear narrative. The location has revealed different facets to settlers and passers-through. The city, the site of bloody battles between the British and Tipu Sultan, was once attached to the glittering court of Mysore. Later, it became a cantonment town where British troops were stationed. Over time, it morphed into a city of gardens and lakes, and the capital of PBI - Indian scientific research. More recently, it has been the hub of PBI - India's information technology boom, giving rise to Brand Bangalore, an PBI - Indian city whose name is recognized globally. Hidden beneath these layers lies a cosmopol...
Religious Traditions in Modern South Asia
This book offers a fresh approach to the study of religion in modern South Asia. It uses a series of case studies to explore the development of religious ideas and practices, giving students an understanding of the social, political and historical context.
Women Empowerment
There are some wonderful monographs which deal with the issues of women at the national and global level, but no work of their equivalent has been produced so far with the exclusive purpose of analyzing and reviewing the position and predicaments of women limited to the district of Dakshina Kannada. In this book, Dr. Hegde and Dr. Gowda make attempts to describe the subject of women empowerment in the district, the hurdles in the way of materializing it, and to suggest the general lines on which the various problems that confront women should be tackled in order to get a fairly satisfactory solution. Based on the detailed analysis of the working of women organizations towards realizing the g...
Tawaifnama
About the Book A NUANCED AND POWERFUL MICROHISTORY SET AGAINST THE SWEEP OF INDIAN HISTORY. Dharmman Bibi rode into battle during the revolt of 1857 shoulder to shoulder with her patron lover Babu Kunwar Singh. Sadabahar entranced even snakes and spirits with her music, but eventually gave her voice to Baba Court Shaheed. Her foster mothers Bullan and Kallan fought their malevolent brother and an unjust colonial law all the way to the Privy Council—and lost everything. Their great-granddaughter Teema paid for the family’s ruination with her childhood and her body. Bindo, Asghari, Phoolmani, Pyaari … there are so many stories in this family. And you—one of the best-known tawaifs of yo...
Out of Print: Ten Years: An Anthology of Stories
About the book Out of Print in print! A decade ago, in 2010, Indira Chandrasekhar set up Out of Print to address a need she felt as a writer: a focused platform for the short story; a space for robust editorial discussions as well as one that would serve as a platform for discoveries—of newer facets of the form itself and of new writing. This commemorative volume hopes to capture something of that adventure. It is, thus, not a ‘best of’ volume, but one that speaks to the spirit of the magazine: its diversity of literary voices, its openness to experimentation, its focus on Indian-language publishing and its stand against mediocrity. Most crucially, of course, this is an ode to the short-story form, its ‘art of brevity and honesty’.
Community and Culture
The writings of K.V. Subbanna reveal the range, dimension and courage of an intellectual who never, ever, let the pressures of contemporary cultural politics affect his free and open enquiries into the nature of the culture of the land he was rooted in. K.V. Subbanna was an organic intellectual who drew his intellectual powers from a sense of community that was vibrant and alive and never from the context of a centralising nation-state and its dominant quality of homogenizing practically every aspect of social and cultural life. The spirit of decentralisation was what a community symbolised for Subbanna and all his writings – on literature, theatre, cinema, language – engender this vital...
