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Theatres of Independence
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in...
Community and Culture
The writings of K.V. Subbanna reveal the range, dimension and courage of an intellectual who never, ever, let the pressures of contemporary cultural politics affect his free and open enquiries into the nature of the culture of the land he was rooted in. K.V. Subbanna was an organic intellectual who drew his intellectual powers from a sense of community that was vibrant and alive and never from the context of a centralising nation-state and its dominant quality of homogenizing practically every aspect of social and cultural life. The spirit of decentralisation was what a community symbolised for Subbanna and all his writings – on literature, theatre, cinema, language – engender this vital...
Performing the Ramayana Tradition
"Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments, edited by Ramayana scholar Paula Richman and Rustom Bharucha, scholar of Theater and Performance Studies, examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythologi...
Rethinking Education in the Context of Post-Pandemic South Asia
This edited volume offers new analytical and methodological approaches to the study of education in the post-pandemic educational context, through case studies from countries in South Asia such as Bhutan, India, Nepal, Pakistan and Sri Lanka. Crossing disciplinary and national boundaries to advance collaborative knowledge production in South Asian education, the book explores how different colonial legacies, religious orientations, and positions in the global economy are played out in regional education systems. In doing so, this volume focuses on the educational challenges faced by the region to better understand South Asian society and the existing societal inequalities in the wake of COVI...
Handbook of Literacy in Akshara Orthography
This volume examines the unique characteristics of akshara orthography and how they may affect literacy development and problems along with the implications for assessment and instruction. Even though akshara orthography is used by more than a billion people, there is an urgent need for a systematic attempt to bring the features, research findings, and future directions of akshara together in a coherent volume. We hope that this volume will bridge that gap. Akshara is used in several Indic languages, each calling it by a slightly different name, for example 'aksharamu', in Telugu, 'akshara' in Kannada, and 'akshar' in Hindi. It is the Bhrami-derived orthography used across much of the Indian...
Language Matters
Contributed research papers.
Kannada Theatre History 1850-1950: A Sourcebook
The present volume has compiled excerpts from a range of writings on theatre that give the reader a view of the varied modes of thinking. They are arranged into six sections, apart from a photo essay. It is not intended to be a history book; but a sourcebook that can lead to a more comprehensive account of Kannada theatre history, or complement the existing history books. Most of the writings in this volume are appearing in English for the first time. The book hopes to be of value to experts as well as theatre practitioners to understand the varied and nuanced narratives within what is normally put together as the history of modern Kannada Theatre.
The Postcolonial Studies Reader
The most comprehensive collection of postcolonial writing theory and criticism, this third edition has been thoroughly revised and updated to include 125 extracts from key works in the field. Leading, as well as lesser-known figures in the fields of writing, theory and criticism contribute to this inspiring body of work that includes sections on nationalism, hybridity, diaspora and globalisation. As in the first two editions, this new edition of The Postcolonial Studies Reader ranges as widely as possible to reflect the remarkable diversity of work in the discipline and the vibrancy of anti-imperialist and decolonising writing both within and without the metropolitan centres. This volume includes new work in the field over the decade and a half since the second edition was published. Covering more debates, topics and critics than any comparable book in its field The Postcolonial Studies Reader provides the ideal starting point for students and issues a potent challenge to the ways in which we think and write about literature and culture.
