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Among students and aficionados of contemporary literature, the work of Latina and Latino poets holds a particular fascination. Through works imbued with fire and passion, these writers have kindled new enthusiasm in their compatriots and admiration in non-Latino readers. This book brings together recent interviews with fifteen Latino/a poets, a cross-section of Chicano, Puerto Rican, and Cuban voices who discuss not only their work but also related issues that help define their place in American literature. Each talks at length about the craft of his or her poetry—both the influences and the process behind it—and takes a stand on social and political issues affecting Latinos across the U...
Alive with the wisdom, artistry, and emotion of more than 250 poets from nearly one hundred countries, this anthology celebrates the multifaceted experience of contemporary manhood. The lives into which these poems invite us reveal the influences of culture, heredity, personal experience, values, beliefs, wishes, desires, loves, and betrayals. Men are notoriously reluctant to open up and discuss these things; and yet when they do--as in these poems--they tell us about their families, lovers, relationships, political and religious beliefs, sexuality, and childhoods. There is much to learn here about who men are and how they see their worlds. Collects close to three hundred poems, in English o...
Little Havana Blues is a medley of voicesÑnarrators, essayists and poetsÑthat have come to forge a literary identity within the United States since their parents left Cuba to go into exile. However, this first comprehensive anthology of Cuban-American literature is not a symphony of the exile or immigrant generation and its letters. Instead, these writers are staking their claim on part of the American mosaic, with Pulitzer Prices and other awards in hand. But in their Americanization they are not rejecting their heritage or their Hispanic culture; rather they are Cubanizing, tropicalizing, expanding the realm of American culture and letters. Their vision is inclusive; their sources go dee...
In Cuba, internationally renowned artists, philosophers, and writers reflect on the idea of a nation displaced. Featuring contributions from Isabel Alvarez Borland, Antonio Benítez-Rojo, María Cristina García, William Navarrete, Eliana Rivero, Rafael Rojas, and Carlos Victoria, as well as many others, Cuba is a rich collection of essays, testimonials, and interviews that reveal the complex, often antagonistic cultural and political debates coexisting within the Cuban exile population. As a multivoiced text, Cuba formulates a deeper understanding of diasporic identity, and broadens the discussion of the manner in which Cuban cultural identity and nationhood have been constructed, negotiated, and transformed by physical and cultural displacement.
The 1960s represented a revolutionary moment around the globe. In rural Mexico, several guerrilla groups organized to fight against the ruling Institutional Revolutionary Party (PRI). Specters of Revolution chronicles two peasant guerrilla organizations led by schoolteachers, the National Revolutionary Civil Association (ACNR) and the Party of the Poor (PDLP), which waged revolutionary armed struggles to overthrow the PRI. Both emerged to fight decades of massacres and everyday forms of terror committed by the government against citizen social movements that demanded the redemption of constitutional rights. This book reveals that these movements developed after years of seeking legal, consti...
Chicana/o literature frequently depicts characters who exist in a vulnerable liminal space, living on the border between Mexican and American identities, and sometimes pushed to the edge by authorities who seek to restrict their freedom. As this groundbreaking new study reveals, the books themselves have occupied similarly precarious positions, as Chicana/o literature has struggled for economic viability and visibility on the margins of the American publishing industry, while Chicana/o writers have grappled with editorial practices that compromise their creative autonomy. From the Edge reveals the tangled textual histories behind some of the most cherished works in the Chicana/o literary can...
A resource to help judges, lawyers, scholars, and students gain insight into the real lives of women whom the law purports to represent but whose self-representations have historically been excluded from legal discourse.
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconcili...
For female pop stars, whose star bodies and star performances are undisputedly the objects of a sexualized external gaze, the process of ageing in public poses particular challenges. Taking a broadly feminist perspective, 'Rock On': women, ageing and popular music shifts popular music studies in a new direction. Focussing on British, American and Latina women performers and ageing, the collection investigates the cultural work performed by artists such as Shirley Bassey, Petula Clark, Madonna, Celia Cruz, Grace Jones and Courtney Love. The study crosses generations of performers and audiences enabling an examination of changing socio-historical contexts and an exploration of the relationship...
In the American legal system valid witness-testimony is supposed to be invariable and unchanging, so defense attorneys highlight seeming inconsistencies in victims' accounts to impeach their credibility. This book offers an examination of how and why victims of domestic violence might seem to be 'changing their stories,' in the criminal justice system, which may leave them vulnerable to attack and criticism. Latinas' Narratives of Domestic Abuse: Discrepant versions of violence investigates the discourse of protective order interviews, where women apply for court injunctions to keep abusers away. In these encounters, two different versions of violence, each influenced by a range of ethnolinguistic, intertextual and cultural factors, are always produced. This ethnography of Latina women narrating violence suggests that before victims even get to trial, their testimony involves much more than merely telling the truth. This book provides a unique look at pre-trial testimony as a collaborative and dynamic social and cultural act.