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The Social Life of Money in the English Past
A study of how people understood and used money from 1630 to 1800 in England. Deborah Valenze shows how money became involved in relations between people in ways that moved beyond what we understand as its purely economic functions.
Memory and Mortality in Renaissance England
This collection reexamines commemoration and memorialization as generative practices illuminating the hidden life of Renaissance death arts.
Governing from the Bench
In Governing from the Bench, Emmett Macfarlane draws on interviews with current and former justices, law clerks, and other staff members of the court to shed light on the institution’s internal environment and decision-making processes. He explores the complex role of the Supreme Court as an institution; exposes the rules, conventions, and norms that shape and constrain its justices’ behavior; and situates the court in its broader governmental and societal context, as it relates to the elected branches of government, the media, and the public.
Family Law in the Medieval World
Delloyd Guth presents in historical context the origins and practice of medieval family law. It includes a range of legal, social and theological perspectives on the pre-modern origins of laws relating to marriage, gender, age and proprietary succession in the medieval world.
The Theology of Debt in Late Medieval English Literature
Exploring debt's permutations in Middle English texts, Anne Schuurman makes the bold claim that the capitalist spirit has its roots in Christian penitential theology. Her argument challenges the longstanding belief that faith and theological doctrine in the Middle Ages were inimical to the development of market economies, showing that the same idea of debt is in fact intrinsic to both. The double penitential-financial meaning of debt, and the spiritual paradoxes it creates, is a linchpin of scholastic and vernacular theology, and of the imaginative literature of late medieval England. Focusing on the doubleness of debt, this book traces the dynamic by which the Christian ascetic ideal, in its rejection of material profit and wealth acquisition, ends up producing precisely what it condemns. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Blanks, Print, Space, and Void in English Renaissance Literature
"This book is an inquiry into blank or empty spaces in primarily English printed books in the period c. 1500 - c. 1700, as well as in Renaissance culture more generally. The book concentrates on the "substrate" -- the background of any printed work - which is often held to be empty or blank space. These spaces are also considered as "gaps" (where text or images are constructed as missing, lost, withheld, or perhaps never devised in the first place). The topics discussed include: space and silence; emptiness and absence; the vacuum; "race" and racial identity; blackness and whiteness, together with lightness, darkness, and sightlessness; cartography and emptiness; the effect of typography on ...
Hamlet's Moment
Although we take for granted that drama was crucial to the political culture of Renaissance England, we rarely consider one of its most basic functions, namely, that it helped large audiences to understand what politics was. This book suggests that in this moment before newspapers, drama as a form of popular entertainment familiarized its audience with the profession of politics, with kinds of knowledge that were necessary for survival and advancement in politicalcareers. Shakespeare's Hamlet is particularly interested in these issues: in the coming and going of ambassadors, and in the question of the succession and of the conflict with Norway. Plays writtenby Ben Jonson, John Marston, George Chapman, and others in the following years shared a similar focus, inviting the public to imagine what it meant to have a political career. In doing so, they turned politics into a topic of sociable conversation, which people could use to impress others.
Regents' Proceedings
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Performing the Renaissance Body
In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.
Crime in Early Modern England 1550-1750
Still the only general survey of the topic available, this widely-used exploration of the incidence, causes and control of crime in Early Modern England throws a vivid light on the times. It uses court archives to capture vividly the everyday lives of people who would otherwise have left little mark on the historical record. This new edition - fully updated throughout - incorporates new thinking on many issues including gender and crime; changes in punishment; and literary perspectives on crime.
