Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The De-Africanization of African Art
This book argues for a radical new approach to thinking about art and creativity in Africa, challenging outdated normative discourses about Africa’s creative heritage. Africanism, which is driven by a traumatic response to colonialism in Africa, has an almost unshakable stranglehold on the content, stylistics, and meaning of art in Africa. Post-African aesthetics insists on the need to move beyond this counter-colonial self-consciousness and considerably change, re-work and enlarge the ground, principles and mission of artistic imagination and creativity in Africa. This book critiques and dismantles the tropes of Africanism and Afrocentrism, providing the criteria and methodology for a Post-African art theory or Post-African aesthetics. Grounded initially in essays by Denis Ekpo, the father of Post-Africanism, the book then explores a range of applications and interpretations of Post-African theory to the art forms and creative practices in Africa. With particular reference to South Africa, this book will be of interest to researchers across the disciplines of Art, Literature, Media Studies, Cultural Anthropology, and African Studies.
Subject to Colonialism
DIVThe discursive construction of Africa under colonialism, with an emphasis on the part played by African writers themselves./div
Decolonizing African Knowledge
Uses textual and visual materials on the 'Self' to understand how African ways of thinking shape the nature of societies.
Deconstruction and the Postcolonial
Postcolonial studies, and the rich body of theory that it applies in its analyses, has transformed and unsettled the ways in which, across a whole range of disciplines, we think about notions such as subjectivity, national identity, globalization, history, language, literature or international politics. Until recently, the emphasis of the groundbreaking work being carried out in these areas has been almost exclusively within an Anglophone context, but increasingly the focus of postcolonial studies is shifting to a more comparative approach. One of the most intriguing developments in this shift.
The Third Text Reader
Collection of essays by some of the best-known critics in global art and cultural studies, together with some of the most exciting new voices to emerge over the last two decades. Covers History, Representation, Identity, Film, "Post" theory and Globalisation.
Decolonising the Built Environment
Decolonising the Built Environment: Process, Product, and Pedagogy provides an important and much-needed comprehensive overview of how decolonisation is shaping the built environment in theory, in practice, and as a process/project today. The contributors provide an inclusive and trans-national conversation between a diverse set of academics, design practitioners and thinkers, and activists. This book is structured around three thematic and practical categories: Part 1 studies decolonisation conceptually; Part 2 studies decolonisation as a process; and Part 3 studies the products of decolonisation as materialised in the form of buildings, urban design, planning, policy, and social practices. Essential reading for students, teachers, and practitioners, this book presents the project of decolonisation as a pedagogy and an ongoing process.
Theology as Construction of Piety
This book argues that a primary purpose of theological discourses is to construct piety or spirituality. If this is the case, theologians need to constantly inquire into the kind of piety or spirituality which their work may construct. Drawing from some important moments in the development of Christian theology, such as the development of the Christian doctrine of God in the early church, the role of material things in the Christianity of medieval Europe, some elements of contemporary postliberal theology, and the theology of inculturation in Africa, the book argues that theological discourses that appear to be orthodox and innocuous may actually construct forms of piety that may diminish hu...
Ibss: Anthropology: 1999
IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
New Spaces for Negotiating Art (and) Histories in Africa
In the 1990s, a new wave of globalization changed the field of cultural production in many African countries and paved the way for major new cultural events. In particular, during the last two decades, an ever growing series of art and cultural centers were and still are being established - often against the background of broader national (art) histories and the historic prominence of the state as the primary patron of the arts. In considering the historical genealogy of these 'new spaces, ' this book examines: the infrastructures and public spaces they create, the theoretical discourses they tap into and explore, the aesthetic and (cultural) political debates they stir, the role they play in the field of cultural institutions and cultural activism, and their relations with state and municipal institutions. (Series: African Art and Visual Cultures - Vol. 2) [Subject: African Studies, Cultural Studies, Art
Epistemic Justice and Creative Agency
Foundational theories of epistemic justice, such as Miranda Fricker's, have cited literary narratives to support their case. But why have those narratives in particular provided the resource that was needed? And is cultural production always supportive of epistemic justice? This essay collection, written by experts in literary, philosophical, and cultural studies working in conversation with each other across a range of global contexts, expands the emerging field of epistemic injustice studies. The essays analyze the complex relationship between narrative, aesthetics, and epistemic (in)justice, referencing texts, film, and other forms of cultural production. The authors present, without seeking to synthesize, perspectives on how justice and injustice are narratively and aesthetically produced. This volume by no means wants to say the last word on epistemic justice and creative agency. The intention is to open out a productive new field of study, at a time when understanding the workings of injustice and possibilities for justice seems an ever more urgent project.
