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Marxism and National Identity
Post-Marxists argue that nationalism is the black hole into which Marxism has collapsed at today's "end of history." Robert Stuart analyzes the origins of this implosion, revealing a shattering collision between Marxist socialism and national identity in France at the close of the nineteenth century. During the time of the Boulanger crisis and the Dreyfus affair, nationalist mobs roamed the streets chanting "France for the French!" while socialist militants marshaled proletarians for world revolution. This is the first study to focus on those militants as they struggled to reconcile Marxism's two national agendas: the cosmopolitan conviction that "workingmen have no country," on the one hand, and the patriotic assumption that the working class alone represents national authenticity, on the other. Anti-Semitism posed a particular problem for such socialists, not least because so many workers had succumbed to racist temptation. In analyzing the resultant encounter between France's anti-Semites and the Marxist Left, Stuart addresses the vexed issue of Marxism's involvement with political anti-Semitism.
Witches, Midwives, & Nurses (Second Edition)
Witches, Midwives, and Nurses examines how women-led healing was delegitimized to make way for patriarchy, capitalism, and the emerging medical industry. As we watch another agonizing attempt to shift the future of healthcare in the United States, we are reminded of the longevity of this crisis, and how firmly entrenched we are in a system that doesn't work. First published by the Feminist Press in 1973, Witches, Midwives, and Nurses is an essential book about the corruption of the medical establishment and its historic roots in witch hunters. In this new and updated edition, Barbara Ehrenreich and Deirdre English delve into the current fascination with and controversies about witches, exposing our fears and fantasies. They build on their classic exposé on the demonization of women healers and the political and economic monopolization of medicine. This quick history brings us up-to-date, exploring today's changing attitudes toward childbirth, alternative medicine, and modern-day witches.
The Hidden Musicians
A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting the idea that only selected musical traditions, “great names,” or professional musicians are worth studying. This opens the door to the invisible work put in by thousands of local people of diverse backgrounds, and how the pathways creatively trodden by amateur musicians have something to tell us about both urban living and what it is to be human. Now with a new preface by the author, this long-awaited reissue of The Hidden Musicians will bring its insights and innovations to a new generation of students and scholars.
On the Origin of Stories
A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play...
Why Read the Classics?
A posthumously published collection of thirty-six essays offering Italo Calvino's invigorating and illuminating analysis of his most treasured literary classics.
Champagne Supernovas
A glittering history of fashion in the 1990s, told through the lives of Kate Moss, Marc Jacobs and Alexander McQueen. The 1950s had rock 'n' roll and the 60s had the Beats. In the 70s and 80s, it was punk rock and modern art. But for the 1990s, it was all about fashion and Kate Moss, Marc Jacobs, and Alexander McQueen were the trio of rebel geniuses who made it great. Each had an amazing talent and each had demons that would jeopardize that same talent. Collectively, they represented a "moment" in fashion and pop culture that upended everything that had come before it. In the tradition of pop-cultural histories like Girls Like Us and Easy Riders, Raging Bulls, Maureen Callahan explores a par...
Watermarks, Mainly of the 17th and 18th Centuries
2003 Reprint of 1969 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Heawood's "Watermark" was originally issued in 1950 as the first of the Paper Publications Society's Monumenta and has proven to be one of the Society's most popular volumes. This no doubt has to do with the fact that it was the largest published collection of post-Briquet watermarks.
