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Our Civilizing Mission
Our Civilizing Mission is both an exploration of colonial education and a response to current anxieties about the foundations of the ‘humanities’. Focusing on the example of Algeria, it asks what can be learned by treating colonial education not just as an example of colonialism but as a provocative, uncomfortable example of education.
The Reclining Nude
This book, a sensuous evocation of images of the reclining nude, claims a female-identified pleasure in looking. Agnès Varda, Catherine Breillat, and Nan Goldin are re-imagining images of female beauty, display, (auto)eroticism, and intimacy. The reclining nude is compelling, for female-identified artists in the ethically adventurous, politically complex feminist issues it engages.
Chronicles of a Girl Ii
The very capable and talented Chloe Anderson is set on an adventure that leads her into the unknown. New bumps will arise, she is certain of that, but the turns they take are unforeseeable. With new friends, a new family, a new responsibility to a young child, and being in a foreign land, the roller coaster that life brings for this young girl can be terrifying. The past has haunted her before and it seems to be plaguing her again. That and a personal betrayal might just prove to be too much. Can Chloe handle the horrors that shadow over her life? Is she able to lead her friends and family through the difficult times that now seem to lie ahead? Her strength and determination have helped her forge ahead before, but it cost her dearly. Can she afford to take that chance again?
Making Waves
1975 was a key year for the women’s movement in France. Through a critical exploration of the politics, activism and cultural creativity of that moment, this book evaluates the achievements and legacies of second wave French feminism for subsequent ‘waves’, including the movement’s contemporary resurgence.
Empire's Children
Operating at the intersection of history, anthropology, and law, this book reveals the unacknowledged but central role of race in the definition of French nationality. The author weaves together the perspectives of jurists, colonial officials, and more, and demonstrates why the French Empire cannot be analyzed in black-and-white terms.
The Principle of Political Hope
In The Principle of Political Hope, Loren Goldman draws on Immanuel Kant, Ernst Bloch, Charles Peirce, William James, and John Dewey to offer an account of political hope as a frame for navigating the relationship between subjective aspiration and objective possibility. Considering what political hope is, how it operates, how it has been thought about, and how to think about it in the contemporary world, Goldman's conceptualization of hope rejects grand notions of progress while still maintaining the possibility of a brighter future. Refreshing and lucid, Goldman reconstructs hope as a necessary precondition for social and political engagement, reinvigorating the possibility of utopia in the process.
Constraining Chance
This text examines the representation and staging of chance in literature through the study of a specific case - the work of the 20th-century French writer Georges Perec (1936-82).
Eating Disorders in Contemporary French Women’s Writing
Eating Disorders in Contemporary French Women’s Writing examines the most common types of Eating Disorders (EDs) - anorexia nervosa, bulimia nervosa/bulimarexia, and binge eating disorder - as represented in contemporary French women’s literature. The primary corpus comprises 40 autobiographical (and very occasionally autofictional) texts complemented by ample reference, and sometimes challenge, to clinical, medically-researched based, or theoretical publications on EDs.
Beyond the Happy Ending
Happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women’s writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women’s writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the ‘happiness turn’ is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women’s writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms.
Tragic Passages
Presents a theoretically informed reading of Racine's nine secular tragedies, from La Thebaide (1664) to Phedre (1677). This study focuses on literary/theatrical constructions of space, time, and identity.
