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Not the Classical Ideal
A vision of reality in which a pre-eminent human type was defined in opposition to non-ideal 'Others' characterized ancient Greece. In democratic Athens the social structure privileged male citizens, and women, resident aliens, and slaves were marginalized. The Persian Wars polarized the opposition of Greeks and Barbarians. This anthology provides the first investigation of the delineation of otherness across a broad spectrum of the imagery of Greek art. An international cast of authors, with methodologies ranging from traditional to avant-garde, examines manifestations of the Other in Late Archaic and Classical Greek representations that particularly interest them. The 17 chapters develop a nuanced picture of the visual criteria that denoted otherness in regard to gender, class, and ethnicity and also reveal the social and political functions of this remarkable Greek imagery. Also available in paperback (ISBN 9789004117129)
Postcolonial Amazons
Scholars have long been divided over whether the Amazons of Greek legend actually existed. Postcolonial Amazons offers a groundbreaking re-evaluation of the place of martial women in antiquity, bridging the gap between myth and reality by expanding our conception of the Amazon archetype to include the real female warriors of the ancient world.
Blue
A beautifully illustrated visual and cultural history of the color blue throughout the ages Blue has had a long and topsy-turvy history in the Western world. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now cite it as their favorite color. In this fascinating history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearance in prehistoric art to its international ubiquity today. Any history of color is, above all, a social history. Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Begi...
The Parva naturalia in Greek, Arabic and Latin Aristotelianism
This book investigates Aristotelian psychology through his works and commentaries on them, including De Sensu, De Memoria and De Somno et Vigilia. Authors present original research papers inviting readers to consider the provenance of Aristotelian ideas and interpretations of them, on topics ranging from reality to dreams and spirituality. Aristotle’s doctrine of the ‘common sense’, his notion of transparency and the generation of colours are amongst the themes explored. Chapters are presented chronologically, enabling the reader to trace influences across the boundaries of linguistic traditions. Commentaries from historical figures featured in this work include those of Michael of Eph...
Red
A beautifully illustrated visual and cultural history of the color red throughout the ages The color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires o...
Ceramicus Redivivus
This volume presents selected material associated with potters' workshops and pottery production from some 14 Early Iron Age contexts northwest of the Athenian Acropolis that range in date from the Protogeometric through Archaic periods. Located in the area that was to become the Agora of Classical Athens, these deposits establish that the place was used for industrial activity until it was formally transformed into the civic and commercial center of the city in the early 5th century B.C. The Early Iron Age potters' debris published in this volume sheds light on many aspects of pottery production, in prehistory as well as in the Classical and later periods. The material includes test-pieces, wasters and other production discards. There is also a reassessment of the evidence associated with the kiln underlying the later Tholos.
Pink
From the acclaimed author of Blue and other color histories, the beautifully illustrated story of pink, from the first ancient pigments to Barbie Pink has such powerful associations today that it’s hard to imagine the color could ever have meant anything different. But it’s only since the introduction of the Barbie doll in 1959 that pink has become decisively feminized. Indeed, in the eighteenth century, pink was frequently masculine, and the color has signified many things beyond gender over the course of its long history—from the prim to the vulgar, and from the romantic to the eccentric. In this richly illustrated book, Michel Pastoureau, a celebrated authority on the history of col...
Green
In this beautiful and richly illustrated book, the acclaimed author of Blue and Black presents a fascinating and revealing history of the color green in European societies from prehistoric times to today. Examining the evolving place of green in art, clothes, literature, religion, science, and everyday life, Michel Pastoureau traces how culture has profoundly changed the perception and meaning of the color over millennia—and how we misread cultural, social, and art history when we assume that colors have always signified what they do today. Filled with entertaining and enlightening anecdotes, Green shows that the color has been ambivalent: a symbol of life, luck, and hope, but also disorde...
Studia Varia from the J. Paul Getty Museum
This is the second volume in a series on wide-ranging topics relating to objects in the Antiquities collection of the Getty Museum. It consists of seven articles in English, German, and Italian. Chronologically ranging from Pier Giovanni Guzzo's presentation of two early sixth-century-B.C. silver cups to a technical analysis by Maya Elston and Jeffrey Maish of a rare late-antique wooden sarcophagus from Egypt. Despoina Tsiafakis discusses a South Italian bronze askos in the shape of a siren, and Gina Salapata analyzes a pair of South Italian terra-cotta arulae. As a companion text to his publication of an important jewelry assemblage in Greek Gold from Hellenistic Egypt (see p. 13), Michael Pfrommer presents an in-depth scholarly interpretation of the jewelry. Janet Burnett Grossman has compiled a catalogue of portraits of Alexander the Great in various media from the Getty Museum; and two life-size bronze portraits of delicati, thought to be from Gaul, are the topic of John Pollini's detailed discussion.
Corpus Vasorum Antiquorum, Fascicule 10
Cataloging some hundred thousand examples of ancient Greek painted pottery held in collections around the world, the authoritative Corpus Vasorum Antiquorum (Corpus of Ancient Vases) is the oldest research project of the Union Académique Internationale. Nearly four hundred volumes have been published since the first fascicule appeared in 1922. This new fascicule of the CVA—the tenth issued by the J. Paul Getty Museum and the first ever to be published open access—presents a selection of Attic red-figured column and volute kraters ranging from 520 to 510 BCE through the early fourth century CE. Among the works included are a significant dinoid volute krater and a volute krater with the Labors of Herakles that is attributed to the Kleophrades Painter.
