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The Unmasking of Drama
From Hamlet to Coriolanus and Timon of Athens, Shakespeare's tragedies constitute the most strenuous attempts within English Renaissance tragedy to unmask its representational practices and to penetrate its own ordering principles. Baldo evaluates the theater's economical means of representation, its heavy reliance on the authority of generalizing, and its assumption of a translatability between visual and verbal signs.
The Theorist's Mother
Andrew Parker undertakes a critical reconsideration of the frequently absent, or troubled, figure of the mother in theorists including Marx, Freud, Lacan, and Derrida.
Tis Pity She's A Whore
John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
The Dream of the Moving Statue
The fantasy of a sculpture that moves, speaks;or responds, a statue that comes to life as an oracle, lover, avenger, mocker, or monster—few images are more familiar or seductive. The living statue appears in ancient creation narratives, the myths of Pygmalion and Don Juan, lyric poetry from the Greek Anthology to Rilke, and romantic fairy tales; it is a recurrent theme in ballet and opera, in philosophy, psychoanalysis, and film. What does it mean for the statue that stands immobile in gallery or square to step down from its pedestal or speak out of its silence? What is it in this fantasy that animates us? Kenneth Gross explores the implications of fictive statues in biblical and romantic ...
Symptom of Beauty
For a woman in the Western world, there is no escaping beauty. Either she possesses it, or she lacks it. If she lacks it, she may hope to gain it. If she already has it, she will certainly lose it. But what is "it"? Not an objective thing, Francette Pacteau tells us, but a generic term for an unspecifiable number of psychological experiences in the mind of the observer. What these experiences are, what causes them, and how they manifest themselves as a notion of beauty is the subject of this book. Less interested in the contingent object of desire than the fantasy that frames it, Pacteau considers the staging of the aesthetic emotion. Her analysis extends from the Classical ideals of beauty, through Renaissance poetry to the recent formulations of Hollywood. Her book is an ambitious attempt to describe the mise-en-scène of beauty within a particular field of representations – that of the beauty of a woman.
Rhetoric and Medicine in Early Modern Europe
Through close analysis of texts, cultural and civic communities, and intellectual history, the papers in this collection, for the first time, propose a dynamic relationship between rhetoric and medicine as discourses and disciplines of cure in early modern Europe. Although the range of theoretical approaches and methodologies represented here is diverse, the essays collectively explore the theories and practices, innovations and interventions, that underwrite the shared concerns of medicine, moral philosophy, and rhetoric: care and consolation, reading, policy, and rectitude, signinference, selfhood, and autonomy-all developed and refined at the intersection of areas of inquiry usually thoug...
Shakespeare Reread
No detailed description available for "Shakespeare Reread".
Approximate Bodies
The early modern period was an age of anatomical exploration and revelation, with new discoveries capturing the imagination not only of scientists but also of playwrights and poets. Approximate Bodies examines, in fascinating detail, the changing representation of the body in early modern drama and in the period's anatomical and gynaecological treatises. Maurizio Calbi focuses on the unstable representation of both masculinity and femininity in Renaissance texts such as The Duchess of Malfi, The Changeling and a variety of Shakespeare plays. Drawing on theorists including Foucault, Derrida and Lacan, these close textual readings examine the effects of social, psychic and cultural influences ...
The Ludic Self in Seventeenth-Century English Literature
This book argues that play offered Hamlet, John Donne, George Herbert, Andrew Marvell, Robert Burton, and Sir Thomas Browne a way to live within the contradictions and conflicts of late Renaissance life by providing a new stance for the self. Grounding its argument in recent theories of play and in a historical analysis that sees the seventeenth century as a point of crisis in the formation of the western self, the author demonstrates how play helped mediate this crisis and how central texts of the period enact this mediation.
Post-closet Masculinities in Early Modern England
"Post-Closet Masculinities in Early Modern England argues for a theory of male subjectivity that subordinates questions of desire beneath the historical imperatives that inform those desires. Employing a post-closet identity theory, this book argues that writers like John Donne, William Shakespeare, and George Herbert created an ideology of masculinity in conjunction with and in response to the great epistemological upheavals in early modern England. Donne, Shakespeare, and Herbert helped to create a masculinity that embodies an ironic subject position that is constantly shifting between men's desires for women and men's simultaneous rejection of women's bodies, and the inevitable encounter with the figure of the sodomite that their rejection invites."--BOOK JACKET.
