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Many people consider haute couture died in 1950 when ready-to-wear fashion came on the market. Since then fashion has undergone fundamental changes. Nonetheless, there will always be a certain demand for beautiful, individually made clothes, but the future will never be as lavish and as magnificent as the period here investigated. The author traces its history from Charles Frederick Worth, the first global fashion dictator and Imperial French dressmaker, to Geoffrey Wallis who wished to make good design available to all. -- Google books
From medieval times to the present, "Fashion for Men" describes the development of male attire, with the aid of nearly a hundred illustrations. Diana de Marly offers a lively discussion of the male ideal and its relationship to the clothes people wore. What was it that was considered so shocking about the ever-receding short skirts of fourteenth-century fashionable man? What was the significance of the rise -- and later the decline -- of the codpiece, so blatantly drawing attention to what later centuries were generally at pains to hide? The history of men's clothing is set in a wide social context, and the author shows above all that views about "masculinity" are subject to change, and that preoccupation with dress is not exclusively a female preserve. "Fashion for Men" will not only be invaluable to students of costume history and fashion design, but will also appeal to the general reader fascinated by the intricacies of costume and its development.
The first illustrated monograph dedicated to the history of the House of Worth, the world’s pioneering haute couture label Arriving in Paris in 1845, at the age of twenty and with only a few francs in his pocket, Charles Frederick Worth would go on to build the most prominent, innovative, and successful fashion house of the century. He was inspired by a love of fine art, luxurious fabrics, and his vision of the female ideal, and was the first to set out to dictate new styles and silhouettes to his elite clientele— not the other way around. He hosted them in his rue de la Paix salons, which included groundbreaking sportswear and maternity departments as well as silk, velvet, and brocade rooms, and a special salon with closed shutters and gas lighting designed to allow clients to try on ball gowns in lighting conditions precisely matched to those of the event at which they would be worn. Organized chronologically and illustrated with striking ensembles, paintings, and documents sourced from both private family archives and the best fashion collections from museums around the world, The House of Worth is an inspiring tribute to the house that started it all.
In 1666, King Charles II felt it necessary to reform Englishmen's dress by introducing a fashion that developed into the three-piece suit. We learn what inspired this royal revolution in masculine attire--and the reasons for its remarkable longevity--in David Kuchta's engaging and handsomely illustrated account. Between 1550 and 1850, Kuchta says, English upper- and middle-class men understood their authority to be based in part upon the display of masculine character: how they presented themselves in public and demonstrated their masculinity helped define their political legitimacy, moral authority, and economic utility. Much has been written about the ways political culture, religion, and ...
The first edition of this book established itself as required reading for all those interested in the development of the fashion business. There are other books on contemporary dress, but this account gives particular weight to the commercial organization of the industry; from designer and textile manufacturer right through to the consumer. This completely revised edition brings the story up to the 1990s with new text, 280 illustrations and 16 color plates. Fashion in this century has ceased to be the private domain of the wealthy. The era when such names as Worth, Paquin and Sciaparelli could dominate has given way to one where style and 'look' can be taken from a host of various sources: d...
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As the world's leading perfume authority, Dove leads readers on an extravagant journey through the world of scent, from Ancient Egypt to the present. Beginning with a comprehensive discussion of the sense of smell and the materials of the master perfumer, Dove goes on to celebrate the great classics, the makers who brought them to life and the bottle makers who gave them shape.
In Caravaggio, Varriano uncovers the principles and practices that guided Caravaggio's brush as he made some of the most controversial paintings in the history of art. He sheds an important new light on these disputes by tracing the autobiographical threads in Caravaggio's paintings, framing these within the context of contemporary Italian culture.
Reproduction of the original: The Boys' Book of Famous Rulers by Lydia Hoyt Farmer