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The Diary
The diary as a genre is found in all literate societies, and these autobiographical accounts are written by persons of all ranks and positions. The Diary offers an exploration of the form in its social, historical, and cultural-literary contexts with its own distinctive features, poetics, and rhetoric. The contributors to this volume examine theories and interpretations relating to writing and studying diaries; the formation of diary canons in the United Kingdom, France, United States, and Brazil; and the ways in which handwritten diaries are transformed through processes of publication and digitization. The authors also explore different diary formats including the travel diary, the private diary, conflict diaries written during periods of crisis, and the diaries of the digital era, such as blogs. The Diary offers a comprehensive overview of the genre, synthesizing decades of interdisciplinary study to enrich our understanding of, research about, and engagement with the diary as literary form and historical documentation.
Diary as Literature: Through the Lens of Multiculturalism in America
Meandering plots, dead ends, and repetition, diaries do not conform to literary expectations, yet they still manage to engage the reader, arouse empathy and elicit emotional responses that many may be more inclined to associate with works of fiction. Blurring the lines between literary genres, diary writing can be considered a quasi-literary genre that offers a unique insight into the lives of those we may have otherwise never discovered. This edited volume examines how diarists, poets, writers, musicians, and celebrities use their diary to reflect on multiculturalism and intercultural relations. Within this book, multiculturalism is defined as the sociocultural experiences of underrepresent...
Diary as Literature
Meandering plots, dead ends, and repetition, diaries do not conform to literary expectations, yet they still manage to engage the reader, arouse empathy and elicit emotional responses that many may be more inclined to associate with works of fiction. Blurring the lines between literary genres, diary writing can be considered a quasi-literary genre that offers a unique insight into the lives of those we may have otherwise never discovered. This edited volume examines how diarists, poets, writers, musicians, and celebrities use their diary to reflect on multiculturalism and intercultural relations. Within this book, multiculturalism is defined as the sociocultural experiences of underrepresent...
Diaries and Journals of Literary Women from Fanny Burney to Virginia Woolf
This highly original book investigates the part played by their personal writings in the lives of eight literary women. Can private journals provide information about their authors' public works? Do diaries dramatise the development of an individual literary `voice'? What was the special attraction of the diary form for women, and why has it been so undervalued? Drawing on current feminist critical approaches, Judy Simons explores these and other questions in a stimulating and wide-ranging study of women's diary writing, which revises our entire way of thinking about this traditionally neglected genre and its particular implications for the woman writer.
Marginal Voices, Marginal Forms
Diaristic writing has often been relegated to the fringes of literary studies as a marginal cultural activity. This volume seeks to challenge that marginality by exploring some of the wide-ranging forms of literary practice encompassed by diaristic writing in Europe from the Renaissance to the present day. The volume deals with questions of the value and status of the diary, of the functioning of the diary in society and history, and of the reception and interpretation of the multifarious forms of first-person daily writing. The volume investigates diaries across national borders and linguistic boundaries, so as to make the hitherto marginal place of the private journal a site of fruitful in...
Women's Diaries as Narrative in the Nineteenth-Century Novel
First published in 2009, this book investigates the cultural significance of nineteenth-century women’s writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary writing, it assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. It also considers women as writers, readers and subjects and demonstrates ways in which women could become performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood. This book will be of interest to those studying 19th century literature and women in literature.
Diary Poetics
The diary is a genre that is often thought of as virtually formless, a "capacious hold-all" for the writer’s thoughts, and as offering unmediated access to the diarist’s true self. Focusing on the diaries of Katherine Mansfield, Virginia Woolf, Antonia White, Joe Orton, John Cheever, and Sylvia Plath, this book looks at how six very different professional writers have approached the diary form with its particular demands and literary potential. As a sequence of separate entries the diary is made up of both gaps and continuities, and the different ways diarists negotiate these aspects of the diary form has radical effects on how their diaries represent both the world and the biographical self. The different published editions of the diaries by Katherine Mansfield, Virginia Woolf and Sylvia Plath show how editorial decisions can construct sometimes startlingly different biographical portraits. Yet all diaries are constructed, and all diary constructions depend on how the writer works with the diary form.
Diary as Fiction
There is a genre of literature in which the work is purposely written within the diary format; this type of writings known as diary fiction. Diary novels traditionally reflect what the authors think real diaries are or are written as a parody of the diary as a negative model. The authors of diary novels choose the diary form because its artistic quality expresses a greater sense of immediacy to the reader than other forms of literature. The diary novel emphasizes the time of writing rather than the time that it is written about, so the diarist usually writes about events of the immediate past - events that occur between one entry and the next - or records his momentary ideas, reflections, or...
How to Read a Diary
How to Read a Diary is an expansive and accessible guidebook that introduces readers to the past, present, and future of diary writing. Grounded in examples from around the globe and from across history, this book explores the provocative questions diaries pose to readers: Are they private? Are they truthful? Why do some diarists employ codes? Do more women than men write diaries? How has the format changed in the digital age? In answering questions like these, How to Read a Diary offers a new critical vocabulary for interpreting diaries. Readers learn how to analyze diary manuscripts, identify the conventions of diary writing, examine the impact of technology on the genre, and appreciate the myriad personal and political motives that drive diary writing. Henderson also presents the diary’s extensive influence upon literary history, ranging from masterpieces of world literature to young adult novels, graphic novels, and comics. How to Read a Diary invites readers to discover the rich and compelling stories that individuals tell about themselves within the pages of their diaries.
Diaries and Journals of Literary Women from Fanny Burney to Virginia Woolf
Draws on current feminist criticism to explore the significance of diaries in the development of an individual literary voice, and their potential for providing information on the authors' public works. The eight writers discussed include Dorothy Wordsworth, Mary Shelley, Elizabeth Barrett Browning, Louisa May Alcott, Edith Wharton, and Katherine Mansfield. Annotation copyrighted by Book News, Inc., Portland, OR
