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Judy Simons thought to leave her grandchildren a legacy of reminiscences about her Jewish upbringing in 1950s Sheffield. But when her mother died shortly before her hundredth birthday, Judy discovered a treasure chest of papers hidden at the back of the wardrobe. Reading them, she realised she had unearthed a gripping family saga.
Some of the most innovative and spell-binding literature has been written for young people, but only recently has academic study embraced its range and complexity. This Companion offers a state-of-the-subject survey of English-language children's literature from the seventeenth century to the present. With discussions ranging from eighteenth-century moral tales to modern fantasies by J. K. Rowling and Philip Pullman, the Companion illuminates acknowledged classics and many more neglected works. Its unique structure means that equal consideration can be given to both texts and contexts. Some chapters analyse key themes and major genres, including humour, poetry, school stories, and picture books. Others explore the sociological dimensions of children's literature and the impact of publishing practices. Written by leading scholars from around the world, this Companion will be essential reading for all students and scholars of children's literature, offering original readings and new research that reflects the latest developments in the field.
Through close readings of these eight North American and British novels, which have had a powerful impact on the development of literature for girls, Foster and Simons consider genres from the domestic myth to the school story, analyze the transgressive figure of the tomboy, and discuss ways in which superficially conventional texts implicitly undermine patterns of patriarchy.
Mansfield Park and Persuasion are both notoriously problematic works that have stimulated diverse and often polarised critical readings. These essays interpret and outline the debate in the light of cultural, historicist and feminist theory.
Examines recent Austen remakes as well as other “post-heritage” films and television shows to show how the past is reshaped for a contemporary market.
A RICHARD & JUDY BOOK CLUB PICK Pennsylvania, 1968. 'Hide her.' Two words that would change all of their lives - for ever. On a stormy night in small-town America, a couple, desperate and soaked to the skin, knock on a stranger's door. When Martha, a retired schoolteacher, answers their knock, her world changes for ever. Her visitors are Lynnie and Homan, who have fled The School for the Incurable and Feebleminded with their newborn baby. But the police are closing in and their freedom is about to be snatched away. Moments before she is taken back to the School, bound and tied, Lynnie utters two words to Martha: 'Hide her.' And so begins the heart-rending story of Lynnie, Homan, Martha and baby Julia - lives divided by seemingly insurmountable obstacles, but drawn together by a secret pact and extraordinary love.
As writers such as Virginia Woolf, Audre Lorde, and Anais Nin recognized, keeping a journal is a powerful tool of creative expression and self-healing. In A Voice of Her Own - a companion for both new and longtime diarists - Marlene Schiwy shows that journal writing is the ideal way to find one's individual voice, an opportunity for women to explore feelings, intuitions, perceptions, and ideas often suppressed in our society, and to record the truths of their own experience. Schiwy invites readers to share the journeys other women have made toward selfhood and encourages them to begin a journey of their own. She weaves together passages from published and unpublished journals, from works of literature, psychology, and women's studies with her personal insights. A Voice of Her Own is a treasure chest of inspiration for every woman seeking deeper self-awareness and new outlets for creativity.
Martinson examines the diaries of Virginia Woolf, Katherine Mansfield, Violet Hunt and Doris Lessing's fictional character Anna Wulf. She argues that these diaries (and others like them) are not entirely private writings, but that their authors wrote them knowing they would be read. She argues that the audience is the author's male lover or husband and describes how knowledge of this audience affects the language and content in each diary. She argues that this audience enforces a certain 'male censorship' which changes the shape of the revelations and of the writer herself.
This highly original book investigates the part played by their personal writings in the lives of eight literary women. Can private journals provide information about their authors' public works? Do diaries dramatise the development of an individual literary `voice'? What was the special attraction of the diary form for women, and why has it been so undervalued? Drawing on current feminist critical approaches, Judy Simons explores these and other questions in a stimulating and wide-ranging study of women's diary writing, which revises our entire way of thinking about this traditionally neglected genre and its particular implications for the woman writer.