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"... reproduces a monstrous number of stories from the original 1940s and '50s comic books." Includes an introduction with rare photos of the artist, original art, letters from Dick Briefer, drawings by Alex Toth inspired by Briefer's Frankenstein - and more.
It's alive! It's alive! Not exactly what Mary Shelley had in mind, Frankenstein: The Mad Science of Dick Briefer reanimates the most unusual Frankenstein take of all. What began as a horror feature in 1940s Prize Comics morphed after World War II into a comedic tale of a Frankenstein "who, like Fernando the Bull, would rather pluck flowers than pluck off people's heads." Briefer's Frankenstein mixes screwball comedy with canny observation of postwar America into a creation that would shock the original monster senseless!
One of the best-selling comics of the 1940s, Crime Does Not Pay focused on violent mobsters and murderous lowlifes who machine-gunned their way through the urban underworld . . . until justice landed them in the chair! In 1954, the Senate Subcommittee on Juvenile Delinquency targeted this comic series for its graphic violence, eventually leading to the creation of the repressive Comics Code Authority. Issues #30 to #33 of Crime Does Not Pay are finally collected in this deluxe hardcover, which includes "Million Dollar Robbery, drawn by Alvin Hollingsworth" — perhaps the first story in US comics history drawn by an African-American artist — and featuring a new introduction by comic-book giant Howard Chaykin (Marked Man, American Flagg!).
In this rip-roaring retrospective, Basil Wolverton’s often warped imagination combines with his outlandishly wacky visual humor to fascinate and delight It collects the ultra-rare treasures Scoop Scuttle, Mystic Moot, Bingbang Buster, and Jumpin’ Jupiter — as they’ve never been seen before! Due to the rock-bottom printing methods of 10¢ comic books, Wolverton’s intricate line work was routinely obscured, and often obliterated. In this collection, every effort has been made to restore the art to its original splendor, and to at last present the uniquely detailed graphics of this justly revered comic book master.
Mary Wollstonecraft Shelley's classic novel Frankenstein: or, The Modern Prometheus, first published in 1818, started a phenomeon that has survived the years and permeated many aspects of popular culture. It has spawned numerous films, television programs, books, comics, stage presentations, and the like, and continues to do so today. Like the Frankenstein Monster, this work is made up of many individual parts, some of which are quite different in their specific themes, but all of which relate to Frankenstein in some way. They consider the untold true story of Frankenstein, Glenn Strange's portrayals of the Monster, the portrayals of lesser-known actors who played the character, Peter Cushin...
Crime Does Not Pay — the true-crime comic that enjoyed massive circulation throughout the forties and fifties — was a hit with readers, but an easy target for Seduction of the Innocent author Dr. Fredric Wertham! The 1954 Senate Subcommittee on Juvenile Delinquency hammered Crime Does Not Pay for its graphic scenes of violence, ultimately leading to the formation of the rigid Comics Code Authority. Issues #34 to #37 of this visceral, provocative series are now collected into one fine, head-walloping hardcover — with a new foreword by modern crime maestro David Lapham (Stray Bullets, Murder Me Dead)!
Crime Does Not Pay is an American comic book series published between 1942 and 1955 by Lev Gleason Publications. Edited and chiefly written by Charles Biro, the title launched the crime comics genre and was the first "true crime" comic book series.
The celebrated pre-Code Crime Does Not Pay comics are finally collected into a series of unflinching and uncensored deluxe hardcovers! The infamous Crime Does Not Pay stories, focusing on criminal scum, nefarious mobsters, and urban legends, madeCrime Does Not Pay one of the most popular comics of the 1940s. This series was a favorite target of censors and is partially responsible for the creation of the stifling Comics Code Authority! Revered, influential, and very hard to find, Crime Does Not Pay issues #26 to #29 are collected for your enjoyment and education!
Comic Connections: Building Character and Theme is designed to help teachers from middle school through college find exciting new strategies to help students develop their literacy skills. Each chapter has three pieces: comic relevance, classroom connections, and concluding thoughts; this format allows a reader to pick-and-choose where to start. Some readers might want to delve into the history of a comic to better understand characters and their usefulness, while other readers might want to pick up an activity, presentation, or project that they can fold into that day’s lesson. This volume in Comic Connections series focuses on two literary elements—character and theme—that instructors can use to build a foundation for advanced literary studies. By connecting comics and pop culture with these elements, students and teachers can be more energized and invested in the ELA curriculum.
When Superman debuted in 1938, he ushered in a string of imitators--Batman, Wonder Woman, Captain Marvel, Captain America. But what about the many less well-known heroes who lined up to fight crooks, super villains or Hitler--like the Shield, the Black Terror, Crimebuster, Cat-Man, Dynamic Man, the Blue Beetle, the Black Cat and even Frankenstein? These and other four-color fighters crowded the newsstands from the late 1930s through the early 1950s. Most have since been overlooked, and not necessarily because they were victims of poor publication. This book gives the other superheroes of the Golden Age of comics their due.