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Based on extensive interviews with dozens of photographs, this is a riveting and uncensored account of a show that managed to survive countless revolutions in popular music. 36 halftones.
Dick Clark, known widely as "America's oldest teenager," single-handedly formed the culture of the day on American Bandstand, and helped give rise to rock 'n' roll. He was a man of many roles: an entrepreneur, producer, game-show host and much more. It didn't feel like New Year's Eve in America if you weren't watching Dick Clark count down the minutes. The statistics are staggering; Bandstand brought in 40 million viewers a day when the country's population wasn't even 200 million and when many people were at work-one might size that up to airing a Super Bowl every day! However, Dick Clark's influence transcended the music. Against dissent, he integrated the dance floor and gave Baby Boomer ...
Elected senator from Iowa in 1972, Dick Clark is one of a select few American public servants whose name is associated with the downfall of apartheid in South Africa: his defeat in the senatorial campaign of 1978 resulted in part from the South African government’s secret and illegal monetary contributions to his opponent. He subsequently spent many years founding and directing the Congressional Program of the Aspen Institute, through which members of the United States Congress receive incisive non-partisan orientation in current issues of foreign and domestic policy. His engrossing and eminently entertaining memoirs cover his early years and the beginnings of his political career; his ren...
A retrospective covers forty years worth of the best of American Bandstand, a popular music television show hosted by the author who remains a pop icon today and shares some of his own personal memories of the show and its guests. Simultaneous.
"I don't make culture, I sell it" Dick Clark once remarked. Indeed, the man who reigned as host of American Bandstand for nearly four decades may not have invented rock 'n' roll, but he sold it to the American public better than anyone before or since. Before Clark, rock 'n' roll was the step child of radio--which took to playing records as a cost-saving measure after television siphoned off radios most lucrative sponsors. But it was network television--and specifically Clarks Bandstand--that ultimately legitimized what was then viewed by most adults as vulgar, low-class music, broadcasting a sanitized vision of rock 'n' roll straight into Americas living rooms five afternoons a week. Here i...