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Die ‚alternativen‘ Fassungen des trojanischen Mythos von Dictys und Dares gehören zu den interessantesten und zugleich rätselhaftesten Werken der Spätantike. Dennoch erhalten sie erst seit Kurzem die ihnen gebührende Aufmerksamkeit, und viele Fragen sind noch immer ungelöst. Dies ist eines der ersten Bücher, das sich auf die Beiträge verschiedener Gelehrter stützt, um die Themengebiete in all ihren verschiedenen Facetten umfassend zu behandeln, angefangen mit der heiklen Frage nach den (wahren oder angeblichen) griechischen Modellen, hin zum kulturellen Kontext, der erwarteten Zielgruppe, Intertextualität, strukturellen Mustern, der Erzähltechnik, Themen, Charakteren, Zielen, b...
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Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.