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Dipterocarp Forest Ecosystems
The Dipterocarp forests of South-East Asia constitute a dominant component of the world's tropical forests. As such, they are intertwined with a Pandora's box of problems that have plagued the world for decades; Over- and underdevelopment, poverty, hunger, population growth, exploitation of natural resources, environmental degradation, loss of biodiversity, the debt crisis and, of late, climate change. The world community has responded to the crucial role of these forests and the dangers facing them with funds, and a myriad of programmers, projects, institutions, conferences and networks. Apparently neither a lack of knowledge nor finance constrains the dissipation of sustainable management ...
An Introduction to Hegel's Lectures on the Philosophy of Religion
"It provides an account of the criticism of religion by key Enlightenment thinkers such as Voltaire, Lessing, Hume, and Kant. This is followed by an analysis of how the Romantic thinkers, such as Rousseau, Jacobi, and Schleiermacher, responded to these challenges. For Hegel, the views of these thinkers from both the Enlightenment and Romanticism tended to empty religion of its content. The goal that he sets for his own philosophy of religion is to restore this lost content. " -- back cover.
The Unity of Hegel's "Phenomenology of Spirit"
By examining at the microlevel the particulars of each dialectical movement, and by analyzing at the macrolevel the role of the argument in question in the context of the work as a whole, Stewart provides a detailed analysis of the Phenomenology and a significant scholarly demonstration of Hegel's own conception of the Phenomenology as a part of a systematic philosophy.
Kierkegaard's Relations to Hegel Reconsidered
A major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel.
Die Hieroglyphen der inneren Welt
1m Jahre 1813, als E.T.A. Hoffmann mit der Niederschrift seines ersten Marchens begann, war das Projekt einer Romantischen Poesie langst gescheitert. Friedrich Schlegel, der Begriinder der romantischen Asthetik, hatte nach dem Ubertritt zur katholischen Kirche die Idee einer neuen mythischen Kunst aufgegeben; und selbst Ludwig Tieck, der noch 1812 eine Sammlung romantischer Marchen veroffentlichte, naherte sich immer mehr einer realistischen Erzahlweise an. Fur jun gere Autoren wie Eichendorff, die den Glauben an ein neues mytholo gisches Zeitalter nie geteilt hatten, war es ohnehin selbstverstandlich, daB sie das zwielichtige Reich der Phantasie hinter sich lieBen und die Aussohnung mit der...
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