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Walking towards the ocean
The mystery, the adventure and the probable disappearance of St characterize the various elemente of the narration This novel, where the visionary-metaphysical element is skilfully intertwined with the everyday, has as its main theme the disappearance of a protagonist - truth or illusion? - and it emerges, at the limit of the incredible, from an on the road and mental adventure: a journey that Domenico and Gabriella, free and curious spirits, backpackers and a great desire for nature, have made along a trekking route of about 900 Km. Destination: the Way itself and then the Finisterre Ocean, passing through Santiago de Compostela. With the scorching sun, the whipping wind and the heavy rain, the two, who have decided to live their lives to the end without being stopped by anything, advance trampling on grass and stones, arid and muddy terrain, asphalted roads that cross villages and city. They live in the most disparate situations and meet people of all kinds, maturing together, in continuous confrontation, step by step. Visions, fantasies: memories of other lives? Translator: Nevia Ferrara PUBLISHER: TEKTIME
Index Medicus
None
Fifteenth-century Dance and Music: Treatises and music
Vol. 1: Treatises and music ; vol. 2: choreographic descriptions with concordances of variants.
Wounds in the Middle Ages
Wounds were a potent signifier reaching across all aspects of life in Europe in the middle ages, and their representation, perception and treatment is the focus of this volume. Following a survey of the history of medical wound treatment in the middle ages, paired chapters explore key themes situating wounds within the context of religious belief, writing on medicine, status and identity, and surgical practice. The final chapter reviews the history of medieval wounding through the modern imagination. Adopting an innovative approach to the subject, this book will appeal to all those interested in how past societies regarded health, disease and healing and will improve knowledge of not only the practice of medicine in the past, but also of the ethical, religious and cultural dimensions structuring that practice.
Women’s Work
Like the history of women, dance has been difficult to capture as a historical subject. Yet in bringing together these two areas of study, the nine internationally renowned scholars in this volume shed new and surprising light on women’s roles as performers of dance, choreographers, shapers of aesthetic trends, and patrons of dance in Italy, France, England, and Germany before 1800. Through dance, women asserted power in spheres largely dominated by men: the court, the theater, and the church. As women’s dance worlds intersected with men’s, their lives and visions were supported or opposed, creating a complex politics of creative, spiritual, and political expression. From a women’s religious order in the thirteenth-century Low Countries that used dance as a spiritual rite of passage to the salon culture of eighteenth-century France where dance became an integral part of women’s cultural influence, the writers in this volume explore the meaning of these women’s stories, performances, and dancing bodies, demonstrating that dance is truly a field across which women have moved with finesse and power for many centuries past.
