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Artemis and Diana in Ancient Greece and Italy
This book is a collection of studies about the Greek and Roman goddesses—Artemis and Diana—who ruled creatures of the wild. Although they arose separately in Greek and Roman cultures, they were often treated as equivalent. These goddesses had the power of giving birth, health and death. Diana’s temples were built at places where three roads meet, writes Servius (ad Aen. IV.511), outside the city itself, and so they were common, safe meeting places which belonged to no one but were the sites for federal councils, hosted by the goddess. Artemis was associated in particular with bears, and Diana with deer, but both were generally associated with wild animals, as well as with the different phases of life. This volume will be useful not only for researchers on this subject, but also for courses in Greek and Roman studies, mythology, history, and women’s studies.
Kinship Myth in Ancient Greece
This study enriches the dialogue on how societies often use myth to construct political, social, and cultural identity---hardly unique to the ancient Greeks, it is rather a human phenomenon for a culture to embrace an identity grounded in a putative ancestry that is expressed in the traditional stories of that culture. --Book Jacket.
Heaven Is Empty
Offers a new perspective on the relationship between religion and the creation of the first Chinese empires. Heaven Is Empty offers a new comparative perspective on the role of the sacred in the formation of Chinas early empires (221 BCE9 CE) and shows how the unification of the Central States was possible without a unitary and universalistic conception of religion. The cohesive function of the ancient Mediterranean cult of the divinized ruler was crucial for the legitimization of Romes empire across geographical and social boundaries. Eventually reelaborated in Christian terms, it came to embody the timelessness and universality of Western conceptions of legitimate authority, while re...
Return to Troy
Return to Troy presents essays by American and European classical scholars on the Director’s Cut of Troy, a Hollywood film inspired by Homer’s Iliad. The book addresses major topics that are important for any twenty-first century representation of ancient Greek myth and literature in the visual media, not only in regard to Troy: the portrayals of gods, heroes, and women; director Wolfgang Petersen’s epic technique; anachronisms and supposed mistakes; the fall of Troy in classical literature and on screen; and the place of the Iliad in modern popular culture. Unique features are an interview with the director, a report on the complex filming process by his personal assistant, and rare photographs taken during the original production of Troy.
Inscriptions in the Private Sphere in the Greco-Roman World
When one thinks of inscriptions produced under the Roman Empire, public inscribed monuments are likely to come to mind. Hundreds of thousands of such inscriptions are known from across the breadth of the Roman Empire, preserved because they were created of durable material or were reused in subsequent building. This volume looks at another aspect of epigraphic creation – from handwritten messages scratched on wall-plaster to domestic sculptures labeled with texts to displays of official patronage posted in homes: a range of inscriptions appear within the private sphere in the Greco-Roman world. Rarely scrutinized as a discrete epigraphic phenomenon, the incised texts studied in this volume reveal that writing in private spaces was very much a part of the epigraphic culture of the Roman Empire.
The Oxford Handbook of the Bronze Age Aegean
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections...
Writing the Dead
Written by one of the world's leading paleographers, this book reconstructs the ways Western cultures have used writing—on tombstones, monuments, scrolls, books, posters—to commemorate the dead from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C.
The End of the Bronze Age
The Bronze Age came to a close early in the twelfth century b.c. with one of the worst calamities in history: over a period of several decades, destruction descended upon key cities throughout the Eastern Mediterranean, bringing to an end the Levantine, Hittite, Trojan, and Mycenaean kingdoms and plunging some lands into a dark age that would last more than four hundred years. In his attempt to account for this destruction, Robert Drews rejects the traditional explanations and proposes a military one instead.
