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The Linguistic Past in Twelfth-Century Britain
This book shows how depictions of etymology were used by twelfth-century poets, translators, bureaucrats and historians to portray Britain's past.
Why France?
France has long attracted the attention of many of America's most accomplished historians. The field of French history has been vastly influential in American thought, both within the academy and beyond, regardless of France's standing among U.S. political and cultural elites. Even though other countries, from Britain to China, may have had a greater impact on American history, none has exerted quite the same hold on the American historical imagination, particularly in the post-1945 era. To gain a fresh perspective on this passionate relationship, Laura Lee Downs and Stéphane Gerson commissioned a diverse array of historians to write autobiographical essays in which they explore their intellectual, political, and personal engagements with France and its past. In addition to the essays, Why France? includes a lengthy introduction by the editors and an afterword by one of France's most distinguished historians, Roger Chartier. Taken together, these essays provide a rich and thought-provoking portrait of France, the Franco-American relationship, and a half-century of American intellectual life, viewed through the lens of the best scholarship on France.
Anne de Graville and Women's Literary Networks in Early Modern France
First detailed reconstruction of Anne de Graville's library, establishing her as one of the most well-read and erudite poets of the period. In the 1520s, the French noblewoman Anne de Graville composed two poetic works, based on older, canonical, male-authored texts: Giovanni Boccaccio's Teseida and Alain Chartier's Belle dame sans mercy. The first, the Beau roman, she offered to Claude, queen of France and wife of Francis I, and the second, the Rondeaux, to the king's mother, Louise of Savoy. With the pro-feminine spin of her rewritings, Anne developed the legacy of another woman writer from 100 years earlier, Christine de Pizan, by entering the on-going debate known as the querelle des fem...
The Haskins Society Journal 34
Essays illuminating a wide range of topics from Cistercian preachers and the "geography" of purgatory to royal and ecclesiastical justice and power. This volume continues the Society's commitment to historical and interdisciplinary research from the early and central Middle Ages and demonstrates its belief that the close interrogation of primary documents yields new insights into or important recalibrations of our understanding of the past. It begins by surveying the works of the Greek Fathers rendered into Latin in late antiquity, exploring their reception and deployment in England before the conquest. The twelfth century occupies a central place in this volume. Four papers offer close read...
Crusading in the Age of Joinville
Crusading in the Age of Joinville provides a detailed examination of the ideas and experiences of those who promoted and participated in the crusades of Louis IX of France in the mid-thirteenth century. It assesses the possibilities and problems associated with the source material, highlighting the unique value of John of Joinville's Life of Saint Louis. Two distinct approaches are taken to the analysis of these sources. The first is thematic, to reveal contrasts between the idealised images of crusading depicted by its promoters and the experiences of those who responded. Secondly, the careers of Joinville and his close contemporary Oliver of Termes provide extended case studies demonstrating that involvement with crusading could have very different origins and expressions.
Figures mythiques
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The Medieval Warrior Aristocracy
A major reconsideration of the relationship between warrior aristocrats, epics, and heroes in medieval culture. The process of identity formation during the central Middle Ages (10th-12th centuries) among the warrior aristocracy was fundamentally centered on the paired practices of gift giving and violent taking, inextricably linked elements of the same basic symbolic economy. These performative practices cannot be understood without reference to a concept of the sacred, which anchored and governed the performances, providing the goal and rationale of social and military action. After focussing on anthropological theory, social history, and chronicles, the author turns to the "literary" pers...
Constantinople and the West in Medieval French Literature
An indepth examination of the presentation of Constantinople and its complex relationship with the west in medieval French texts. Medieval France saw Constantinople as something of a quintessential ideal city. Aspects of Byzantine life were imitated in and assimilated to the West in a movement of political and cultural renewal, but the Byzantine capital wasalso celebrated as the locus of a categorical and inimitable difference. This book analyses the debate between renewal and utopia in Western attitudes to Constantinople as it evolved through the twelfth and thirteenth centuries in a series of vernacular (Old French, Occitan and Franco-Italian) texts, including the Pèlerinage de Charlemagn...
Medieval Oral Literature
Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.
