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Women Writing Opera
  • Language: en
  • Pages: 360

Women Writing Opera

At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".

Humor of a Country Lawyer
  • Language: en
  • Pages: 225

Humor of a Country Lawyer

Originally published in 1984, Senator Ervin's delightful collection of stories and anecdotes winds its way from his native Morganton through Chapel Hill and Harvard, the military, the North Carolina Supreme Court, the United States Senate, and Watergate. It represents a lifetime of wit and wisdom--told in the late Senator Ervin's inimitable style.

Catalog of Copyright Entries. Third Series
  • Language: en
  • Pages: 1898
Women's Studies in Transition
  • Language: en
  • Pages: 356

Women's Studies in Transition

This anthology represents original work presented at a conference commemorating the twentieth anniversary of Women's Studies at the University of Delaware. The central theme focuses on the interdisciplinary links within contemporary women's studies scholarship, addressing the need for this scholarship to cut across disciplines, to be located within a feminist framework, to continually redefine and develop appropriate methodologies, and to translate the academic work into products that address critical issues and concerns facing women and women's creative scholarship.

Fanfare
  • Language: en
  • Pages: 852

Fanfare

  • Type: Book
  • -
  • Published: 1986
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  • Publisher: Unknown

None

FCC Record
  • Language: en
  • Pages: 592

FCC Record

  • Type: Book
  • -
  • Published: 1995
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  • Publisher: Unknown

None

June 18, 19, 20, 26, and 27
  • Language: en
  • Pages: 460
Broadcast License Renewal Act
  • Language: en
  • Pages: 476
Current Musicology
  • Language: en
  • Pages: 452

Current Musicology

  • Type: Book
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  • Published: 1965
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  • Publisher: Unknown

None

Women Composers and Music Technology in the United States
  • Language: en
  • Pages: 318

Women Composers and Music Technology in the United States

This book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material, it also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, Elizabeth Hinkle-Turner discusses the contribution of women composers to electroacoustic music. The book includes a bibliography and discography covering the work of ninety composers.