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Having amassed all that is known of the kaleidoscopic blunders, deceptions and fateful games of European secret intelligence, the author explains how the multicausal Second World War came about and reshaped the world.
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Writing on a small island in the Firth of Forth in the 1440s, Walter Bower set out to tell the whole story of the Scottish nation in a single huge book, the Scotichronicon—'a history book for Scots'. It begins with the mythical voyage of Scota, the Pharaoh's daughter, from Egypt with the Stone of Destiny. The land that her sons discovered in the Western Ocean was named after her: Scotland. It goes on to describe the turbulent events that followed, among them the wars of the Scots and the Picts (begun by a quarrel over a dog); the poisoning of King Fergus by his wife; Macbeth's usurpation and uneasy reign; the good deeds of Margaret, queen and saint; Bruce's murder of the Red Comyn; the fou...
Publisher Description
Provides an examination of the use of alienation in classic literary works.
This set comprises forty volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first sixty-eight volume set of Critical Heritage published by Routledge in October 1995.
Master's Thesis from the year 2016 in the subject Literature - Modern Literature, grade: 1,0, Friedrich-Alexander University Erlangen-Nuremberg, language: English, abstract: This paper is an analysis of Huxley's representation of evilness by the example of Maurice Spandrell, a character in his novel "Point Counter Point". Huxley constructed Spandrell as the incarnation of evilness according to the understanding of evilness as an ‘unsubstantial’ category. Here, ‘good’ and ‘evil’ are intertwined as he is represented as a paradoxical figure, namely both as a perpetrator and as a victim. The dialectics in Spandrell’s characterisation are exemplary for the dialectics present in "Poi...
Winner of an Eric Gregory Award, 2020 Winner of a Somerset Maugham Award, 2020 'The old Shetland fishermen still speak with something like reverence of the forgotten art of steering by the moder dy (mother wave), the name given to an underswell which it is said always travels in the direction of home' Written in English, interspersed with Shetlandic dialect throughout, this eagerly awaited debut collection from Shetland poet Roseanne Watt contains profound, assured and wilfully spare poems that are built from the sight, sound and heartbeat of the land as much as from the sea. In rigorously controlled, concise, and vivid language Watt offers glimpses of the landscape alongside which we find the most complex and mysterious of human experiences.