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Women Making Music
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
Res Literariae
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A Renaissance Education
Carlsmith's A Renaissance Education uses a case study approach to examine educational practices in the north-eastern Italian city of Bergamo from 1500 to 1650.
The Biography of "the Idea of Literature"
A comprehensive examination of the meaning, history, and evolution of the basic notion of "literature" from antiquity to the seventeenth century.
Painters of Reality
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all tr...
Veiled Threats
In his acclaimed Madonnas That Maim, Michael Carroll began his systematic examination of popular Catholicism in Italy. Now, in Veiled Threats, Carroll delves more deeply into the distinctive character of Italian popular Catholicism. He explores in detail the complex relationship between popular and official Catholicism in Italy from the fifteenth century to the present, bringing to light a considerable body of recent Italian scholarship on the Catholic experience in Italy never before translated into English. Carroll places special emphasis on miraculous images and the cults that form around them, on public performances such as self-flagellation during Holy Week processions, on devotion to souls in Purgatory, on the success of preaching orders in adapting to local beliefs, on the role of relics and the incorrupt bodies of saints, and on differing responses to the Reformation in northern and southern Italy. Throughout Veiled Threats, Carroll discovers in the beliefs and practices of popular Catholicism and implicit logic and vital creativity that reflect local experiences and needs far removed from those of official Catholicism.
Vox Humana Craftsmanship
This book provides a thorough analysis focused on the sound expression produced by human-crafted musical instrument – a pipe organ, in which various components blend into a complex whole to produce a wide range of timbres. The sound produced by wooden and metal pipes of a variety of sizes is an integral part of the instrument’s unique character, while the organ stop is like its signature, from which one can judge about the size and style of the instrument, an organ building school or even an organ master, to which it is attributable. Precise identification of the name of the stop in accordance to both the pipework itself and the authentic inscriptions on the pipes is instrumental in inve...
Shakespeare’s Shrews
Shakespeare’s Shrews: Italian Traditions of Paradoxes and the Woman’s Debate investigates the echoes of two early modern discourses—paradoxical writing and the woman’s question or querelle des femmes—in the representation of the “Shakespearean shrew” in The Taming of the Shrew, Much Ado About Nothing, and Othello. This comparative cross‐cultural study explores the English reception of these traditions through the circulation, translation, and adaptation of Italian works such as Ludovico Ariosto’s Orlando Furioso, Baldassare Castiglione’s Il libro del cortegiano, and Ercole and Torquato Tasso’s Dell’ammogliarsi. The enticing interplay of these two discourses is further complicated by their presence in the writing of early modern male and female authors. The examination of Shakespeare’s adaptation of these traditions in his “shrew” character highlights two key findings: the thematic fragmentation of the woman’s question and the evolving role of paradoxes, from figures of speech to “figures of thought”, both influenced by the gender of the speaker.
