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A close examination about what is considered the most important first-person video game ever made and its influence on how we play games today
This book is for students and scholars studying political economy, public policy, and global health, and all those who are interested in knowing how ordinary Africans think about the response to the AIDS epidemic. It studies the divergent priorities of donors and citizens in response to AIDS intervention in Africa.
I was thinking; my mind was running at top speed, scanning and sorting my options. They ranged all the way from Dumb and Dangerous to Crazy, Evil, and utterly wrong from the start . . . stand back. We are on the brink. Yes. I have an idea.' When Hunter S. Thompson has an idea, you just have to listen – and he shares many of his unique ideas in this collection of journalism, social commentary, short fiction and autobiography. Divided into sections by decade, Songs of the Doomed begins with a furious condemnation of the US justice system and ends with the author’s own version of the events that led to his extraordinary court case. Stopping off at the infamous summit conference in Elko, Ill...
This unsentimental but moving memoir of bridges two distinct periods in the history of the AIDS epidemic: the terrifying early years in which a diagnosis was a death sentence and ignorance too often eclipsed compassion, and the introduction of antiviral therapies that transformed AIDS into a chronic, though potentially manageable, disease.
The construction of the transcontinental railroad (1865–1869) marked a milestone in United States history, symbolizing both the joining of the country’s two coasts and the taming of its frontier wilderness by modern technology. But it was through the power of images—and especially the photograph—that the railroad attained its iconic status. Iron Muse provides a unique look at the production, distribution, and publication of images of the transcontinental railroad: from their use as an official record by the railroad corporations, to their reproduction in the illustrated press and travel guides, and finally to their adaptation to direct sales and albums in the late nineteenth and twentieth centuries. Tracing the complex relationships and occasional conflicts between photographer, publisher, and curator as they crafted the photographs’ different meanings over time, Willumson provides a comprehensive portrayal of the creation and evolution of an important slice of American visual culture.
A sweeping work of historical fiction from the New York Times–bestselling author Dominic Smith, The Electric Hotel is a spellbinding story of art and love. For more than thirty years, Claude Ballard has been living at the Hollywood Knickerbocker Hotel. A French pioneer of silent films who started out as a concession agent for the Lumière brothers, the inventors of cinema, Claude now spends his days foraging for mushrooms in the hills of Los Angeles and taking photographs of runaways and the striplings along Sunset Boulevard. But when a film history student comes to interview Claude about The Electric Hotel—the lost masterpiece that bankrupted him and ended the career of his muse, Sabine Montrose—the past comes surging back. In his run-down hotel suite, the ravages of the past are waiting to be excavated: celluloid fragments in desperate need of restoration, as well as Claude’s memories of the woman who inspired and beguiled him. The Electric Hotel is a portrait of a man entranced by the magic of moviemaking, a luminous romance, and a whirlwind trip through early cinema. Sit back, relax, and enjoy the show.
Represents a sociological history of how deaf people came to be classified as disabled, from the 17th century through the 1990s.
The thirteen authors of this collective work undertook to articulate matter-of-fact critiques of the dominant narrative about communism in Poland while offering new analyses of the concept, and also examining the manifestations of anticommunism. Approaching communist ideas and practices, programs and their implementations, as an inseparable whole, they examine the issues of emancipation, upward social mobility, and changes in the cultural canon. The authors refuse to treat communism in Poland in simplistic categories of totalitarianism, absolute evil and Soviet colonization, and similarly refuse to equate communism and fascism. Nor do they adopt the neoliberal view of communism as a project ...
Originally published in 1979. Sylvia Plath is one of the most controversial poets of our time. For some readers, she is the symbol of women oppressed. For others, she is the triumphant victim of her own intensity—the poet pursuing sensation to the ultimate uncertainty, death. For still others, she is a doomed innocent whose sensibilities were too acute for the coarseness of our world. The new essays of this edited collection (with a single exception, all were written for this book) broaden the perspective of Plath criticism by going beyond the images of Plath as a cult figure to discuss Plath the poet. The contributors—among them Calvin Bedient, Hugh Kenner, J. D. O'Hara, and Marjorie Pe...