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Doris Ulmann (1882-1934) was one of the foremost photographers of the twentieth century, yet until now there has never been a biography of this fascinating, gifted artist. Born into a New York Jewish family with a tradition of service, Ulmann sought to portray and document individuals from various groups that she feared would vanish from American life. In the last eighteen years of her life, Ulmann created over 10,000 photographs and illustrated five books, including Roll, Jordan, Roll and Handicrafts of the Southern Highlands. Inspired by the paintings of the European old masters and by the photographs of Hill and Adamson and Clarence White, Ulmann produced unique and substantial portrait s...
Approximately fifty-five pictures by the American artist Doris Ulmann are reproduced in this volume, another in the J. Paul Getty Museum's In Focus series on photographers. Ulmann (1882-1954) is best known for her portraits of the people of the rural South. Commentary on the pictures is provided by Judith Keller, Associate Curator of the Museum's Department of Photographs. An edited transcript of a colloquium on Ulmann's work includes the informed contributions of Ms. Keller as well as William Clift, David Featherstone, Charles Hagen, Weston Naef, Ron Pen, and Susan Williams. A chronology of significant events in the artist's life is also provided.
" ... These eloquent photographs of our vanishing American peasantry, ridiculed by the middle class as hillbillies, disclose a character that is altogether humbling ... To look at the lined, weathered faces of Christopher Lewis, Ella Webster, and Mrs. Bird Patten is to be reminded of the humanity and rooted communal life of these Southern Americans who are counted now simply as bureaucratic statistics in the poverty program. The recovery of Doris Ulmann's portraiture is typical of Jargon's cultural husbandry."[4].
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Approximately fifty-five pictures by the American artist Doris Ulmann are reproduced in this volume, another in the J. Paul Getty Museum's In Focus series on photographers. Ulmann (1882-1954) is best known for her portraits of the people of the rural South. Commentary on the pictures is provided by Judith Keller, Associate Curator of the Museum's Department of Photographs. An edited transcript of a colloquium on Ulmann's work includes the informed contributions of Ms. Keller as well as William Clift, David Featherstone, Charles Hagen, Weston Naef, Ron Pen, and Susan Williams. A chronology of significant events in the artist's life is also provided.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.