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Introduction to Film
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Hollywood Film 1963-1976
Hollywood 1963-1976 chronicles the upheaval and innovation that took place in the American film industry during an era of pervasive cultural tumult. Exploring the many ideologies embraced by an increasingly diverse Hollywood, Casper offers a comprehensive canon, covering the period's classics as well as its brilliant but overlooked masterpieces. A broad overview and analysis of one of American film's most important and innovative periods Offers a new, more expansive take on the accepted canon of the era Includes films expressing ideologies contrary to the misremembered leftist slant Explores and fully contextualizes the dominant genres of the 60s and 70s
Postwar Hollywood
This is a comprehensive introductory textbook exploring the unique period in the history of the film industry after World War II. Casper examines the cultural history, business practices, new technologies, censorship standards, emerging genres, and styles of post-war cinema.
SURRENDER
SURRENDER - JESUIT PRIEST/SOVIET PRISONER SURRENDER is the true story of the vocation of an American Jesuit priest, accused by the Soviet era K.G.B. of being a Vatican spy, who survived fifteen years of hard labor in Siberian prison camps. Father Walter Ciszek not only survived but learned to surrender to God’s Providence. SURRENDER is a narrative digest based entirely on Father Ciszek’s two books: With God in Russia, (1964), published one year after his release from Russia, and his second book, He Leadeth Me, (1973), published nine years later. SURRENDER interweaves these two books and telescopes the most dramatic events of Father Ciszek’s vocation and steadfast fidelity to that calli...
Music in the Shadows
Welcome to the world of noir musical films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. This book explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. While noir musical films like A Star Is Born include musical performances, their bleak tone and expressionistic aesthetic more closely resemble the visual style of film noir. Their narratives unfold behind a stark noir lens: distorted, e...
A New History of Documentary Film
This history of documentary film concentrates mainly on the output of the film industries in the US, the UK and Canada. The authors outline the origins of the form and trace its development over the next several decades. Each chapter concludes with a list of the key documentaries in that time period or genre.
A South Carolina Requiem
A South Carolina Requiem, the final book in Tony Scully’s trilogy, evokes his earlier books, A Carolina Psalter and Come into the Light, with poems addressing foundation texts with questions and occasional confrontation as we move into new understandings of Spirit. As South Carolina strives forward in cultural achievements in science, education, and the arts, A South Carolina Requiem celebrates the warmth of its people and their continuing determination to fight for justice and civil rights. A South Carolina Requiem acknowledges the struggles over the centuries of dirt farmers and mill workers, the removal of the Cherokee in the Trail of Tears, and the injustices of slavery and Jim Crow as the threshold of rebirth and transformation. Scully’s poems interact with South Carolina traditions and rituals: Baptist hymns; Presbyterian hymns; Anglican hymns; the Kaddish; the Cherokee prayer at death; significant sermons in the history of the Carolinas; and the Requiem Mass, itself a compendium of ancient and revered texts. The poems also interact with the sometimes controversial public events and personalities that have challenged and ultimately transformed the people of the state.
Searching for New Frontiers
Searching For New Frontiers offers film students and general readers a survey of popular movies of the 1960s. The author explores the most important modes of filmmaking in times that were at once hopeful, exhilarating, and daunting. The text combines discussion of American social and political history and Hollywood industry changes with analysis of some of the era’s most expressive movies. The book covers significant genres and evolving thematic trends, highlighting a variety of movies that confronted the era’s major social issues. It notes the stylistic confluence and exchanges between three forms: the traditional studio movie based on the combination of stars and genres, low-budget exploitation movies, and the international art cinema. As the author reveals, this complex period of American filmmaking was neither random nor the product of unique talents working in a vacuum. The filmmakers met head-on with an evolving American social conscience to create a Hollywood cinema of an era defined by events such as the Vietnam War, the rise of the civil rights movement, and the moon landing.
The Warner Brothers
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose v...
