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The Creepy Case Files of Margo Maloo: The Tangled Web
In the third volume of this beloved graphic novel series, Drew Weing delivers a fresh and funny take on the age-old battle between kids and closet-dwelling monsters. As the assistant to Margo Maloo, Charles has gone on assignment in some pretty interesting locations. He's been to a vampire's lair, an ogre's den, and even a monster grocery store! But he's never been to the Downside, Echo City's underground monster metropolis that is super mysterious and DEFINITELY off-limits to kids. But a settlement of giant spiders is about to be dynamited by unwitting construction workers—and, coincidentally, one of those giant spiders "accidentally" bites Charles. His cure and the spiders' salvation lie in the Downside—if Charles and Margo can make it in time.
We Told You So
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Blacklung
Chris Wright’s Blacklung is unquestionably one of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah. Blacklung is a story that lives up to the term graphic novel, that could only exist in sequential pictures ― densely textured, highly stylized, delicately and boldly rendered drawings that is, taken together, wholly original. In a night of piratical treachery when an arrogant school teacher is accidentally shanghaied aboard the frigate Hand, his fate becomes inextricably fettered to that of a sardonic gangster. Dependent on one anoth...
B-Sides: Phase 7 #012-#016
This collection reprints five issues of Alec Longstreth's minicomic Phase 7 in their entirety: #012 is a stick figure science fiction story about a college and the barcode system it uses to keep track of its students. #013 reprints a comics essay in which the idea of everyday art is explored throughout art history. #014 is a facsimile of the sketchbook that Longstreth took on his first trip to Europe, for the 2009 Angoulême comics festival in France. It includes an account of his trip and many observational drawings created while traveling. #015 and #016 are comprised of selections from Longstreth's many sketchbooks, starting in 1995 and working up to 2008. Various quick drawings and loose diary comics reveal the cartoonist's struggles with relationships, employment, education and his future. All of these issues were released while Longstreth was focused on drawing his graphic novel Basewood, hence the title "B-Sides."
Ghost Hog
A new graphic novel from the Eisner Award-nominated creator of MERMIN that deftly navigates loss, vengeance, and acceptance! Truff is the ghost of a young boar, fueled by fury towards the hunter who shot her down. She has a lot to learn about her new afterlife, and thankfully the forest spirits Claude and Stanley are there to guide her! However, they soon find that her parents, along with their fellow animal villagers, have been kidnapped by the malicious mountain demon Mava! Truff wants to help, but... the hunter is finally within her grasp, and if she lets him go, she may never get her revenge! Is vengeance all that being a ghost is good for? Or is there something stronger keeping this little pig tethered to the living world?
I Will Bite You!
A collection of short stories in graphic novel format about animal musicians, mischievous children, cavemen, heavenly bodies, and more.
Graphic Subjects
Some of the most noteworthy graphic novels and comic books of recent years have been entirely autobiographical. In Graphic Subjects, Michael A. Chaney brings together a lively mix of scholars to examine the use of autobiography within graphic novels, including such critically acclaimed examples as Art Spiegelman’s Maus, David Beauchard’s Epileptic, Marjane Satrapi’s Persepolis, Alan Moore’s Watchmen, and Gene Yang’s American Born Chinese. These essays, accompanied by visual examples, illuminate the new horizons that illustrated autobiographical narrative creates. The volume insightfully highlights the ways that graphic novelists and literary cartoonists have incorporated history, experience, and life stories into their work. The result is a challenging and innovative collection that reveals the combined power of autobiography and the graphic novel.
The Comics Journal
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The Visual Language of Comics
Drawings and sequential images are an integral part of human expression dating back at least as far as cave paintings, and in contemporary society appear most prominently in comics. Despite this fundamental part of human identity, little work has explored the comprehension and cognitive underpinnings of visual narratives-until now. This work presents a provocative theory: that drawings and sequential images are structured the same as language. Building on contemporary theories from linguistics and cognitive psychology, it argues that comics are written in a visual language of sequential images that combines with text. Like spoken and signed languages, visual narratives use a lexicon of syste...
Drawing Comics Lab
Do you dream of becoming a comic artist? Drawing Comics Lab covers all of the basic steps necessary to produce a comic, from the first doodle to the finished publication. This easy-to-follow book is designed for the beginning or aspiring cartoonist; both children and adults will find the techniques to be engaging and highly accessible. Featured artists include: - James Sturm - Tom Hart - Jessica Abel - Matt Madden - Eddie Campbell - And many others Start your comic adventures today with Drawing Comics Lab!
