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Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history. Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts. Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artef...
Aristotle’s neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past – arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their “emplotments” (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.
The history of Scott County, MO and their communities. Also includes Scott County officials, churches, businesses and family histories.
From the 14th until the 19th century the last novella of Boccaccio’s Decameron, also known as the Griselda story, has been translated and adapted countless times in many European languages. This story’s success can be explained by considering it a myth and analysing how this myth engages with contemporary discourses, such as the definition of the ideal wife, the querelle des femmes, the socio-political consequences of social exogamy, and tyranny.
Navigating Non-coding RNA: From Biogenesis to Therapeutic Application provides a concise overview of the field of non-coding RNA (ncRNA). Chapters cover the history of discoveries that have occurred in the area of ncRNA, specific types of ncRNA, housekeeping ncRNAs such as ribosomal RNA, transfer RNA, small nuclear RNA and telomerase RNA, regulatory ncRNAs such as microRNA, small interfering RNA, long non-coding RNA and Y RNA. Biogenesis, structure, function, and regulation of each of these are also explored in addition to traditional and cutting-edge methods for the identification, functional characterization and structural characterization of ncRNA. The book also focuses on the different t...
Where does Extreme Liberal Cynicism—so common in academic and popular culture—come from, and is it capable of solving the problems it identifies? A Critique of Liberal Cynicism: Peter Sloterdijk, Judith Butler, and Critical Liberalism identifies the motivations and resources within liberal cynicism and their potential for overcoming its pernicious extremes. Will Barnes describes Extreme Liberal Cynicism as a product of mourning, guilt, and the experience of powerlessness stemming from the trauma of holding liberal investments in a world in which these investments are vulnerable to ideological critique and seem to have failed. Extreme Liberal Cynicism seeks invulnerability through disavow...
This volume offers a new theoretical approach to cultural production inspired by the metaphor of culture as a virtual network. Following a thorough outline of this approach, the theoretical framework is elucidated in a second part through examples drawn from early modern European drama. A third and final part then presents a critical discussion of the concept of "national" culture and literature, from its first formulation by Johann Gottfried Herder to its current developments, including postcolonial studies.
Ventriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today. This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
Just promoted to the Board of Customs & Excise, Nick Storey is asked to help a Metropolitan Police enquiry into illegal arms sales to Morocco. Military hardware for "rockhopper" missiles misdescribed as telephonic equipment and destined for Morocco has been seized at Avonmouth. The exporters claim that they had Ministry of Defence approval, which the Ministry denies. Investigating a series of exports by British arms manufacturers indicates a pattern of implausible exports. The evidence increases after Nick arranges for a large cargo ship to be detained at Southampton. But as the net closes in on those involved in "Operation Ghost Sands", Nick, Rosemary and one of their daughters are targeted and even the outcome smells of rotten fish. "Ghosts in the machine" is the twenty-first book in a series of detective stories set in HM Customs & Excise, by Richard Hernaman Allen, a former Commissioner.