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How could one company—General Motors—meet disaster on one continent and achieve explosive growth on another at the very same time? While General Motors was hurtling towards bankruptcy in 2009, GM’s subsidiary in China was setting new sales and profit records. This book reveals how extraordinary people, remarkable decisions and surprising breaks made triumph in China possible for General Motors. It also shows just how vulnerable that winning track record remains. No small part of GM’s success in China springs from its management of shifting business and political relationships. In China, the government makes the rules for—and competes in—the auto industry. GM’s business partner,...
The musical has been called "the most popular form of entertainment in the world." This work examines the subjects, themes, and contemporary relevance of Hollywood musicals through their long popularity, placing each show in historical and political context and analyzing it in detail. A chapter is devoted to how Golddiggers of 1933 (1933) and Stand Up and Cheer (1934) deal with the economic crises of the Depressions. Another addresses race issues by examining the prevalence of blackface minstrelsy in the 1930s and 1940s, looking at productions like Swing Time (1936) and Dixie (1943). Rock and roll culture, which started in the 1950s and threatened America with teenage sex and rebellion, is a...
Though the phrase "Calvinist humor" may seem to be an oxymoron, Michael Dunne, in highly original and unfailingly interesting readings of major American fiction writers, uncovers and traces two recurrent strands of Calvinist humor descending from Puritan times far into the twentieth century. Calvinist doctrine views mankind as fallen, apt to engage in any number of imperfect behaviors. Calvinist humor, Dunne explains, consists in the perception of this imperfection. When we perceive that only others are imperfect, we participate in the form of Calvinist humor preferred by William Bradford and Nathanael West. When we perceive that others are imperfect, as we all are, we participate in the for...
Intertextual encounters occur whenever an author or the author's text recognizes, references, alludes to, imitates, parodies, or otherwise elicits an audience member's familiarity with other texts. F. Scott Fitzgerald and Nathanael West use the fiction of Horatio Alger, Jr., as an intertext in their novels, The Great Gatsby and A Cool Million. Callie Khouri and Ridley Scott use the buddy-road-picture genre as an intertext for their Thelma and Louise. In all these cases, intertextual encounters take place between artists, between texts, between texts and audiences, between artists and audiences. Michael Dunne investigates works from the 1830s to the 1990s and from the canonical American novel to Bugs Bunny and Jerry Seinfeld.
Metapop: Self-referentiality in Contemporary American Popular Culture by Michael Dunne Since no other book has been written on this subject, Metapop blazes a trail into new territory. The author writes very clearly and gracefully and expresses what could be difficult critical concepts in concise and comprehensible prose free of jargon. He identifies a major characteristic of our culture and provides a definitive guide to the phenomenon. Metapop is his term for popular culture's reflection of itself in its genres. This "self-referentiality" is becoming a major characteristic of our popular culture, one in which genre is a metaphysical mirror of itself. Examples occur frequently in films, tele...
In the clinical microbiology laboratory, blood is a critical diagnostic sample that, in the majority of cases is sterile (or is it?). However, when microbes gain access to and multiply in the bloodstream, it can result in life-threatening illness including sepsis. Mortality rates from bloodstream infection and sepsis range from 25% to 80%, killing millions of people annually. Blood cultures are a vital technology used in the microbiology laboratory to isolate and identify microbes and predict their response to antimicrobial therapy. The Dark Art of Blood Cultures, edited by Wm. Michael Dunne, Jr., and Carey-Ann D. Burnham, surveys the entire field of blood culture technology, providing valua...
With America's Wetland, award-winning photographer Bevil Knapp and veteran reporter Mike Dunne sound the clarion call of the catastrophic effects of Louisiana's vanishing coastline -- not just for Louisiana but for the nation and the world. This vital landscape known as America's Wetland is currently disappearing at a rate of twenty-four square miles per year and could lose another five to seven hundred square miles in the next fifty years if no action is taken. New Orleans could become "America's Atlantis," one of the country's unique cultures lost forever. Knapp's beautiful, sometimes startling photographs and Dunne's incisive commentary bring the urgency of this problem into full view. Do...
'Some part of me believed I would become a more complete person if I spoke Irish, more in tune with my roots, my identity, my very being.' 'A hugely enjoyable linguistic travelogue that is also a sort of love story: full of passion, lightness, but, also, commitment. McCaughan's engaging prose is a joy to read. Discover the Sex Pistols' connection with Cúil Aodha and many another startling fact about the Irish language. This journey towards a homecoming will touch many hearts.' Joseph O'Connor This is the story of Michael McCaughan's journey around Ireland and the Irish language. From a surreal start involving dedicated listening to Raidió na Gaeltachta's death notices, to rediscovering the soul of the language through immersing himself in Phil Lynott's music – all without becoming a Gaelbore – Coming Home will make you want to follow in his footsteps and strike out in search of the grá.
In 2007, Amy Dunne was barely seventeen years old and pregnant with a baby girl who had anencephaly, meaning the baby was certain to die before or at birth. Amy, who was temporarily in the care of the HSE, told a social worker about her plan to travel for a termination. Although she was supported by her family and by the baby's father, she was told by the HSE that it would not be possible for her to travel, so Amy had to fight her case in the High Court. Her private tragedy quickly became an extremely public story. Now in her thirties, with the Eighth Amendment repealed, Amy reflects on the culture of shame that she and many other Irish women lived through. I am Amy Dunne is ultimately a story of enormous resilience and power.