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This early travelogue gives readers a fascinating glimpse into European life and customs in the Renaissance and early modern periods. The book recounts author Albrecht Durer's travels in and observations of Italy and the Netherlands on the cusp of the sixteenth century.
Eighty-one plates show development from youth to full style. Many favorites, many are new. Introduction by Alfred Werner. "The fascination of the drawings is inexhaustible; the skill incredible; the upshot — delight." — Boston Globe.
Publisher Description
Albrecht Dürer (1471-1528) is a master artist who, with giants like Leonardo da Vinci and Rembrandt van Rijn, occupies the pinnacle of achievement. His appeal was extraordinary in his lifetime, and it has not diminished since his death. A member of the northern school, he combined Gothic and Renaissance traits in a way that has a particular attraction to the modern eye. Overriding all considerations of style, however, are his talents as an artist of genius, as revealed in his mastery of depiction, in the breadth of his composition, and in the penetration of his portrayal. These are the basis of his fame, past and present. Dürer's crowning achievement was in the graphic media - drawing and ...
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This classic text presents the life, times, and works of Albrecht Dürer. Through the skill and immense knowledge of Erwin Panofsky, the reader is dazzled not only by Dürer the artist but also Dürer in a wide array of other roles, including mathematician and scientific thinker. Originally published in 1943 in two volumes, The Life and Art of Albrecht Dürer met with such wide popular and scholarly acclaim that it led to three editions and then, in 1955, to the first one-volume edition. Without sacrifice of text or illustrations, the book was reduced to this single volume by the omission of the Handlist and Concordance. The new introduction by Jeffrey Chipps Smith reflects upon Panofsky the...
"Albrecht Durer (1471-1528) was in a sense the first truly international artist. The collection of his work in the British Museum is one of the best in the world. This book shows how his sophisticated development of the techniques of woodcut and engraving introduced the idea of multiple images into fine art and thereby altered the history of printmaking. The chronology of his career is traced from his early work in the medieval tradition of Martin Schongauer, through the experience he acquired while living in Italy, to his major print projects for the Holy Roman Emperor, Maximilian I." "The book also examines Durer's influence at later periods, from the obsessive interest in his work by coll...