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Dr. Williams traces the development of Greek painted pottery from its first moments around 6000 BC, through its finest years at Athens, until its eventual decline in the 2nd century BC.
"The consummate mastery of Greek goldsmiths and the beauty of their designs elevated jewelry in the Classical period to glorious artistic heights. This volume presents nearly 200 of the finest surviving pieces made between the fifth and the early third century B.C., the era that also saw the creation of the Parthenon at Athens and the temple of Artemis at Ephesus, the sculptures of Polykleitos, Praxiteles, and Lysippus, and the paintings of Polygnotos, Apollodoros, Zeuxis, and Nikias." "Drawn from the unrivaled collections of the Hermitage, St. Petersburg, The Metropolitan Museum of Art, New York, and the British Museum, London, the works in this book represent jewelry produced throughout th...
Twenty one essays from the 1994 colloquium at the time of the 'Greek Gold' exhibition at the British Museum. They describe new and old finds from Greece, Turkey and Italy; studies of typology, workshops, technology, and conservation.
Pottery is a key to our understanding of many ancient cultures. In this edition, Dr Williams traces the development of Greek painted pottery from its first moments around 6000BC, through its finest years at Athens, until its eventual decline in the 2nd century BC. He describes how Greek vases were made and introduced us to individual artists, both potters and painters. The text shows the changes that have occurred in a very traditional craft, some inspired by artistic or commercial considerations, others brought about by social or political events.
"The catalogue ... is truly excellent and makes an important contribution to the study of Greek Art." --Bryn Mawr Classical Review "An overwhelming volume. The subject matter ... is described in great detail in nine chapters. Essential." --Choice This catalogue documents a major exhibition at the Getty Villa that was the first ever to focus on ancient Athenian terracotta vases made by techniques other than the well-known black- and red-figure styles. The exhibition comprised vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's technique, as well as examples with added clay and gilding, and plastic vases and additions. The Colors of Clay opens with an introductory essay that integrates the diverse themes of the exhibition and sets them within the context of vase making in general; a second essay discusses conservation issues related to several of the techniques. A detailed discussion of the techniques featured in the exhibition precedes each section of the catalogue. More than a hundred vases from museums in the United States and Europe are described in depth.
The British Museum has one of the finest collection of antiquities from ancient Greece and Rome outside of those countries. This beautiful book investigates 180 of the most important works, including the most famous (such as the Parthenon sculptures) and also a selection of lesserknown but equally important pieces. The unique story of each work of art is illustrated with superb photographs, many specially taken for this publication. A preface includes a brief history of the British Museumâe(tm)s marvellous collections, and chapter introductions provide a concise background to each period of Classical art. A stunning overview of the artistic production of this creative period and a must-have introduction to Classical art.
"The silver Warren Cup, created early in the first century AD, is a remarkably important and beautiful masterpiece of Roman art. The scenes on either side show a pair of male lovers in low relief. This book examines the iconography of the Warren Cup, and sets it in its social and historical context. It also discusses the cup's modern history, especially the life of the eccentric collector, Edward Perry Warren, from which it takes its name. The cup's acquisition by the British Museum in 1999, after years of obscurity due to the explicit nature of the scenes depicted, caused quite a stir in the press. This extraordinary work of art not only provides a means of understanding ancient Roman attitudes to sexuality, but also challenges us across the centuries to reflect on our own contemporary attitudes."--BOOK JACKET.
An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.
The papers in this volume derive from the proceedings of an international symposium held at the J. Paul Getty Museum at the Getty Villa in June 2006 in connection with the exhibition The Colors of Clay: Special Techniques in Athenian Vases. The themes of the exhibition--vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's techniques, as well as examples with added clay and gilding, and sculpted vases and additions--are the touchstones for the essays. More than twenty papers by renowned scholars are grouped under such general rubrics as Social Contexts for Athenian Vases in Special Techniques; Conservation, Analysis, and Experimentation; Artists, Workshops, and Production; and Markets and Exchange.