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Winter in Lisbon
When jazz pianist Santiago Biralbo meets the wife of an American art dealer he begins not only an obsessional love affair but an odyssey that will strip him of his identity in his quest to understand love and music. A C zanne painting; the name Burma; a jazz musician who has passed into legend and oblivion; murder; and a mysterious woman - these are just a few of the tantalizing elements that converge in Winter in Lisbon. Infused with the melodrama of film noir and the rhythms of jazz, this is a haunting exploration of the lethal extremes to which we can be driven by love, art and money.
Toma Aí Um Poema (Edição n2)
Revista Volume 1, no 2 - Dezembro de 2021. ISSN: ------- Curitiba/PR - Brasil Expediente Publicação: Semestral Idioma: Português Distribuição: Gratuita online em pdf Conselho editorial: Andreia Moema, Belise Campos, Jéssica Iancoski, Monique Sandrielly Editora-Chefe: Jéssica Iancoski Diagramação: Monique Sandrielly Revisão: Textos foram revisados pelos autores, não houve nenhuma modificação por parte da revista. Capa Fotografia: Reginaldo [L] Cardoso Capista: Jessica Iancoski Contato: tomaaiumpoema@gmail.com Instagram: @TomaAiUmPoema *Algumas funcionalidades não estão disponíveis em PDF Direitos Autorais Fair Use. Os textos e imagens publicados podem ser reproduzidos, desde q...
Dragon's Teeth
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Show Me Lisbon
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The Du Mauriers
FROM THE BESTSELLING AUTHOR OF REBECCA When Daphne du Maurier wrote this book she was only thirty years old and had already established herself both as a biographer, with the acclaimed Gerald: A Portrait, and as a novelist. Here, she further explores her fascinating family history. The Du Mauriers was written during a vintage period of her career, between two of her best-loved novels: Jamaica Inn and Rebecca. Her aim was to write her family biography 'so that it reads like a novel' and it was due to du Maurier's remarkable imaginative gifts that she was able to breathe life into the characters and depict with affection and wit the relatives she never knew, including her grandfather, the famous Victorian artist and Punch cartoonist - and creator of Trilby. 'Miss du Maurier creates on the grand scale; she runs through the generations, giving her family unity and reality . . . a rich vein of humour and satire . . . observation, sympathy, courage, a sense of the romantic, are here' Observer
Paula Rego
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Daphne Wright - Emotional Archaeology
Daphne Wright is a contemporary artist who has developed an approach to her work that involves intensive research and psychological engagement.This publication, the first survey of a practice she has developed over more than twenty years, considers her work as 'emotional archaeology' which, in media including sculpture, installation and sound, sculpture, drawing, photographs and film -- aims to uncover hidden truths.The book includes two interviews with Daphne Wright as well as new essays by Penelope Curtis, Director of Museu Calouste Gulbenkian, Lisbon, and Xa Sturgis, Director of Ashmolean Museum, Oxford and Josephine Lanyon, curator of the exhibition, Emotional Archaeology.Published on the occasion of the exhibition Daphne Wright: Emotional Archaeology, at Arnolfini, Bristol (30 September - 31 December 2016), Tyntesfield National Trust (10 September - 20 September 2016), and Royal Hibernian Academy (17 January - 26 February 2017).
The Nearest Way Home
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