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Romanesque Architecture
Professor Fernie's research has done much to clarify the development of architecture in England and France from the Anglo-Saxon and Carolingian periods, through the Romanesque to the development of Gothic. Of particular interest has been his studies of architectural proportions and systems of length during this period. This volume make available thirty studies published over the last twenty years on buildings as varied as the pre-Conquest Abbey at Westminster and the church of St Magnus at Egilsay. There are two studies on sculpture, and a number of studies on the St. Gall plan and architectural proportions in English churches. The author has contributed additional notes and an index.
Norfolk 1
Norfolk 1: Norwich and North-East and its companion, Norfolk 2: North-West and South, aim to provide a lively and uniquely comprehensive survey of the architectural treasures of Norfolk. Extensively revised and expanded, these new editions of Sir Nikolaus Pevsner's original volumes bring together the latest research on a county which has some of the most attractive buildings in England. The gazetteer is enhanced by an introduction which provides a perceptive overview of the region's architectural inheritance, and is illustrated by numerous text figures, maps and 130 photographs (many specially commissioned). Pre-eminent in this volume is the city of Norwich, rich in major buildings of outsta...
Medieval Architecture and Its Intellectual Context
Medieval Architecture and its Intellectual Context reflects the range of Peter Kidson's own interests and are united in following his approach to medieval architecture and art: a determination to see buildings and objects in the intellectual terms of the time in which they were created.
The Architecture of Norman England
This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture ofthe period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, andcollegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they wereplanned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.
Romanesque Architecture
Eric Fernie presents a chronological survey of Romanesque architecture and the political systems that gave rise to the style. It is known for its massiv quality, thick walls, round arches, piers, groin vaults, large towers, and decorative arcading, as well as the measured articulation of volumes and surfaces. Romanesque architecture was also, at the time of its greatest popularity in the 11th and 12th centuries, the first destinctive style to dominate western and central Europe. The book includes an exploration of the gestation of the style in the 9th and 10th centuries and its survival in competition with the Gothic up to the 14th century.
Norwich Cathedral
Norwich Cathedral, founded in 1096 by Bishop Herbert de Losinga, is of outstanding importance both architecturally and historically. Its archives, dating back to the time of its foundation, as well as the building itself, its decoration and contents, constitute an unbroken and fascinating record. Norwich Cathedral, 1096-1996 deals with all aspects of the church's history, both institutional and artistic. Written by experts, and heavily illustrated, it has been designed to be accessible to the general reader. The building itself is Romanesque, augmented by later Gothic campaigns. It has of course also undergone repair and modification throughout the centuries both in detail and occasionally in substance. It nevertheless keeps its early identity essentially intact. Its contents, from all periods of its history but notably the middle ages, are themselves of great interest: the medieval roof bosses are uniquely rich, as are the wall paintings.
Art History and Its Methods
A collection of critical essays on method in art history.
Building Durham Cathedral
Durham Cathedral was completed nearly 900 years ago, after 40 years of construction. Inevitably it has suffered from the effects of time: physical erosion, from the weather and increasing pollution on stone that was never of the best quality, and cultural erosion, the impact of secular and religious changes – not least the depredations of clerics, improvers, and administrators. Nevertheless, it remains: the stones speak and provide the story of themselves. Building Durham Cathedral explores this magnificent structure by questioning its architectural plans and stonework. As there have been minimal additions we catch sight of it as the Norman builders intended. Remarkably, a few early documents and the stonework itself allow us to glimpse its beginnings and some of the personalities involved. Questions remain, but there may even be a clue to the identity of its original master mason.
