You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An existence, so full of stirring events as that of the Prophet Mohammad, cannot be described by us in all its details. As there are limits to all books, we have had to rest content with a selection of the most important episodes, so that each might be developed as we deemed necessary. Thus we present to the reader a series of pictures and not a complete history. Our scaffolding and sketches are borrowed from very ancient authors such as Ibn Hisham, Ibn Sad, etc., without forgetting a more modern writer, Ali Borhan id-Din Al-Halabi who, in his book known by the title of "Es Sirat'al Halabia," gathered together different versions from all the best-known historians. An incontestable proof of t...
The Life of Mohammad - The Prophet of Allah E. Dinet and Sliman Ben Ibrahim An existence, so full of stirring events as that of the Prophet Mohammad, cannot be described by us in all its details. As there are limits to all books, we have had to rest content with a selection of the most important episodes, so that each might be developed as we deemed necessary. Thus we present to the reader a series of pictures and not a complete history. Our scaffolding and sketches are borrowed from very ancient authors such as Ibn Hisham, Ibn Sad, etc., without forgetting a more modern writer, Ali Borhan id-Din Al-Halabi who, in his book known by the title of "Es Sirat'al Halabia," gathered together differ...
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of ...
In this volume, Francophone Algerian writing is studied as the hesitant articulation of strategies of alternative representation and, however modest, of deviance as a form of resistance.
DigiCat Publishing presents to you this special edition of "The Life of Mohammad, the Prophet of Allah" by Etienne Dinet, Sliman Ben Ibrahim. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Life Of Mohammad The Prophet Of AllahByE. Dinet And Sliman Ben IbrahimIllustrated ByE. DinetOrnamental Pages By Mohammad Racim
Until now, Orientalist art—exemplified by paintings of harems, slave markets, or bazaars—has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive dif...
Whether the recently settled religious minorities, Muslims, in particular, can be accommodated as religious groups in European countries has become a central political question and threatens to create long-term fault lines. In this collection of essays, Tariq Modood argues that to grasp the nature of the problem we have to see how Muslims have become a target of a cultural racism, Islamophobia. Yet, the problem is not just one of anti-racism but of an understanding of multicultural citizenship, of how minority identities, including those formed by race, ethnicity and religion, can be incorporated into national identities so all can have a sense of belonging together. This means that the tendency amongst some to exclude religious identities from public institutions and the re-making of national identities has to be challenged. Modood suggests that this can be done in a principled yet pragmatic way by drawing on Western Europe's moderate political secularism and eschewing forms of secularism that offer religious groups a second-class citizenship.
Among the duties God imposes upon every Muslim capable of doing so is a pilgrimage to the holy places in and around Mecca in Arabia. Not only is it a religious ritual filled with blessings for the millions who make the journey annually, but it is also a social, political, and commercial experience that for centuries has set in motion a flood of travelers across the world's continents. Whatever its outcome--spiritual enrichment, cultural exchange, financial gain or ruin--the road to Mecca has long been an exhilarating human adventure. By collecting the firsthand accounts of these travelers and shaping their experiences into a richly detailed narrative, F. E. Peters here provides an unparalleled literary history of the central ritual of Islam from its remote pre-Islamic origins to the end of the Hashimite Kingdom of the Hijaz in 1926.