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"A vibrant artistic milieu emerged in the late-nineteenth century Istanbul that was extremely heterogeneous, including Ottoman, Ottoman-Armenian, French, Italian, British, Polish and Ottoman-Greek artists. Roberts analyzes the ways artistic output intersected with the broader political agenda of a modernizing Ottoman state. She draws on extensive original research, bringing together sources in Turkey, England, France, Italy, Armenia, Poland and Denmark. Five chapters each address a particular issue related to transcultural exchange across the east-west divide that is focused on a particular case study of art, artistic patronage, and art exhibitions in nineteenth-century Istanbul"--Provided by publisher.
Ralph Leslie, a young doctor by professor, signs on as a private helper on a yacht. Soon the yacht is rocked with sensational triple axe-murders and Leslie is the only person who can inspire trust in the crew. But who is the killer? How will he get caught now? Excerpt: "The yacht Ella lay in the river not far from my hospital windows. She was not a yacht when I first saw her, nor at any time, technically, unless I use the word in the broad sense of a pleasure-boat. She was a two-master, and, when I saw her first, as dirty and disreputable as are most coasting-vessels. Her rejuvenation was the history of my convalescence. On the day she stood forth in her first coat of white paint, I exchanged my dressing-gown for clothing that, however loosely it hung, was still clothing. Her new sails marked my promotion to beefsteak, her brass rails and awnings my first independent excursion up and down the corridor outside my door, and, incidentally, my return to a collar and tie."
Ghosts, Unexplained Disappearances, Murder? Welcome to Sunnyside! “People that trust themselves a dozen miles from the city, in strange houses, with servants they don't know, needn't be surprised if they wake up some morning and find their throats cut.” - Mary Roberts Rinehart, The Circular Staircase Rachel Innes is convinced by her niece and nephew to move outside the city, into a country house for the summer. The first couple of nights in Sunnyside however are troublesome and Rachel needs to figure what is happening. Can she do it? Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Research is a fundamental part of midwifery practice. However, not everyone finds it easy to understand the basic principles, and particularly the language of research. This accessible handbook enables midwives and student midwives to firstly understand how to search and make sense of research evidence, how to write a research proposal and finally how to undertake a research study. The Handbook of Midwifery Research specifically focuses on the needs of midwives and students and helps increase the knowledge and understanding of midwifery research, enabling the reader to undertake research with confidence. With case studies, learning objectives and clear examples throughout, this is an essenti...
DigiCat Publishing presents to you this special edition of "Haunted Lady" by Mary Roberts Rinehart. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
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In 'Love Stories,' Mary Roberts Rinehart delves into the complexities of affection and human connection through a poignant compilation of romantic narratives. Unfolding within the rigor and intimacy of hospital settings, these tales are imbued with Rinehart's characteristic intertwined themes of love and vocation. Her use of realistic, relatable situations to explore emotional landscapes allows readers to find a deep sense of empathy within the framework of each story. Stylistically, Rinehart employs a concise, direct narrative voice that both underpins the gravitas of her characters and enhances their relatability, situating her work within the broader canon of early 20th-century American l...
DIVComparative study of 19th-century representations of Ottoman harems that considers both the tradition of British paintings and writings about harems as well as the perspectives of Ottoman women who commissioned their own harem portraits./div