You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book, part of the acclaimed AATSEEL Critical Companions series, is designed to guide readers through Doctor Zhivago, Boris Pasternak's classic story of the Russian Revolution and its aftermath. An introduction places the novel and its author within Russian history and literature, and essays by scholars offer opinion and analysis of Pasternak's method and thought. Finally, there is correspondence relating to the novel and a bibliography chosen by the editor.
This book deals with a group of architectured materials. These are hybrid materials in which the constituents (even strongly dissimilar ones) are combined in a given topology and geometry to provide otherwise conflicting properties. The hybridization presented in the book occurs at various levels - from the molecular to the macroscopic (say, sub-centimeter) ones. This monograph represents a collection of programmatic chapters, defining archimats and summarizing the results obtained by using the geometry-inspired materials design. The area of architectured or geometry-inspired materials has reached a certain level of maturity and visibility for a comprehensive presentation in book form. It is...
None
This concluding volume of Christopher Barnes's acclaimed biography of the Russian poet and prose-writer Boris Pasternak covers the period from 1928 to his death, during which he wrote the famous Dr Zhivago and was awarded the Nobel Prize for Literature. Drawing on archive material (including the Pasternak family archive), eyewitness accounts and a huge range of biographical and background information, Barnes brings to light many aspects of Pasternak's personality and private life, while illuminating his relations with the Communist régime and the literary establishment. There is a detailed discussion of Pasternak's original writing (with ample quotation in English translation), and his translations of Goethe, Shakespeare and others. The growth story of Dr Zhivago is traced, and the personal and political implications of the novel's controversial publication explored. The biography concludes with a discussion of Pasternak's Nobel Prize award, final years and death, with a brief account of his posthumous and artistic legacy.
Throughout the twentieth century and continuing today, personifications of Russia as a bride occur in a wide range of Russian texts and visual representations, from literature and political and philosophical treatises to cartoons and tattoos. Invariably, this metaphor functions in the context of a political gender allegory, which represents the relationships between Russia, the intelligentsia, and the Russian state, as a competition of two male suitors for the former’s love. In Unattainable Bride Russia, Ellen Rutten focuses on the metaphorical role the intelligentsia plays as Russia’s rejected or ineffectual suitor. Rutten finds that this metaphor, which she covers from its prehistory in folklore to present-day pop culture references to Vladimir Putin, is still powerful, but has generated scarce scholarly consideration. Unattainable Bride Russia locates the cultural thread and places the political metaphor in a broad contemporary and social context, thus paying it the attention to which it is entitled as one of Russia’s modern cultural myths.
The volume explores the relationship of artists and intellectuals from ancient Greece to modern times.
Shakespeare's works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society's self-image. In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this 'universal' author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 19391945 are both illuminated by and continue to illuminate the War today.
This book contains contributions to the 10th International Workshop on Bifurcation and Degradation in Geomaterials held in Hong Kong, May 28-30, 2014. This event marks the silver Jubilee anniversary of an international conference series dedicated to the research on localization, instability, degradation and failure of geomaterials since 1988 when its first workshop was organized in Germany. This volume of book collects the latest progresses and state-of-the-art research from top researchers around the world, and covers topics including multiscale modeling, experimental characterization and theoretical analysis of various instability and degradation phenomena in geomaterials as well as their relevance to contemporary issues in engineering practice. This book can be used as a useful reference for research students, academics and practicing engineers who are interested in the instability and degradation problems in geomechanics and geotechnical engineering.
This authoritative new biography of the Russian poet and prose writer Boris Pasternak is the first part of a two-volume set, covering the period 1890-1928. Drawing on archives and many eyewitness accounts, Barnes' study sheds light on currently unexplored aspects of Pasternak's character and family background, and his artistic, social and historical environment. He combines biographical investigation with detailed textual analysis of translated quotations in verse and prose to reveal the source of Pasternak's extraordinary writings. The book examines a wide range of topics that include his musical enthusiasm and relations with Scriabin, his philosophical studies, his activities in World War I and his response to the 1917 revolutions, and his stance as a liberal artistic intellectual in the 1920s.
None