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LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
US Marine in World War I
The words 'Retreat? Hell, we just got here' have become a central part of the legend of the US Marine Corps, indicative of its reputation for dogged determination and bravery. Uttered at the height of the fierce battle for Bellau Wood, the phrase came to define the Corps, establishing their 'first to fight' ethos in the public eye. This history follows the experiences of the Marines during the Great War, from their training in the US and France through the fighting in the trenches and battlefields of the Western Front and right up to their occupation duties in the Rhineland. Packed with first-hand accounts and detailed information from the USMC History Division at Quantico, and published to coincide with the 100th anniversary of America's involvement in World War I, this is a timely analysis of one of the US Marine Corps' finest hours.
Toyoko
Gilberts other books include Once Upon the Woods and Waters, A Brown Trout Bicycle, and Montezumas Treasure Canyon. He has also published more than three thousand stories and columns in various media formats, including magazines and newspapers. Gilbert presently resides in Comstock Park, Michigan, and has traveled extensively while researching material for his writings.
12 Varsity Letters
I won 12 Varsity Letters in 4 years of High School: I was Quarterback for the Football Team, Captain of the Basketball Team; was on the Track Team placing 2nd in Long Jump at the State Track Meet. I was Homecoming King; played the lead in the Senior Play, and in general got undeserved straight A’s on my report cards. Thinking back, I even squandered chances playing second base for our Baseball Team one season. No wonder some liked me while others hated me!!!
K-9 Structure & Terminology
Structure: the foundation for health and function What sets apart the average dog enthusiast from the expert? Often it’s an in-depth knowledge of the anatomy of the dog and a solid understanding of terminology used in the world of dogs. Do you know what a judge is talking about when he mentions “stifle let-down,” “shallow brisket,” or “excessive angulation?” K-9 Structure and Terminology defines and illustrates these and hundreds of other terms in easy to understand language so you can train your mind and eye to evaluate dogs. All dogs need sound structure for health, show, work, or sport, and, by learning to see beneath the skin the reader will be more able to work with, under...
Exorcism and Its Texts
In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics to obscure works by anonymous writers.
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
Cromwellian Ireland
In this important study, reissued here in paperback along with a new historiographical essay, T.C. Barnard anatomizes the Irish problem of the mid-seventeenth century and connects it to the English politics and policies both before and after the interregnum. He looks closely at how and by whom Ireland was ruled and how its government was financed, and he explores in detail the primary Cromwellian goals in Ireland: propagating the Protestant gospel, providing English and Protestant education, advancing learning, and reforming the law.
Harpsichord and Lute Music in 17th-Century France
The works of the 17th-century French harpsichord composers, the clavecinistes, are among the principal treasures of the harpsichord repertoire. It is a commmonplace of music histories that their style was strongly influenced by contemporary lutenists, yet the assessment of this influence has until now been limited to pointing out a few superficial resemblances. This book is the first comprehensive account of the relationship between the two styles. The nature and extent of the influence can now be seen as much more far-reaching than has been supposed. The clavecinistes adopted many details of lute style, and an understanding of these is essential for the proper performance of their works. More importantly, the lute style opened up the possibility of an entirely new expressive dimension in the playing of the harpsichord; in exploring this the clavecinistes evolved a style which dominated European keyboard music in the 17th-century, and provided a basis for the subsequent development of idiomatic keyboard style.
