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Cinemas of the Mozambican Revolution
  • Language: en
  • Pages: 329

Cinemas of the Mozambican Revolution

A timely analysis that provides a pre-history to current debates on decolonisation, the politics of the moving image, and artistic engagements with anti-colonial archives.

Portuguese Cinema (1960-2010)
  • Language: en
  • Pages: 286

Portuguese Cinema (1960-2010)

Why has Portugal's vibrant and creative cinema industry not been more commercially successful?

Portuguese: An Essential Grammar
  • Language: en
  • Pages: 286

Portuguese: An Essential Grammar

  • Type: Book
  • -
  • Published: 2004-06-01
  • -
  • Publisher: Routledge

A practical reference guide to the most important aspects of modern European and Brazilian Portuguese, it presents a fresh and accessible description of the language combining and function-based grammar.

Cinema e transfiguraçao
  • Language: pt-BR
  • Pages: 172

Cinema e transfiguraçao

  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

Portuguese Film, 1930-1960,
  • Language: en
  • Pages: 273

Portuguese Film, 1930-1960,

  • Type: Book
  • -
  • Published: 2013-08-15
  • -
  • Publisher: A&C Black

Engaging, groundbreaking analysis of Portuguese national and propaganda film of the New State era (1930-1960), including Portugal's African colonies, in historical and cultural context.

Screen International
  • Language: en
  • Pages: 502

Screen International

  • Type: Book
  • -
  • Published: 1994
  • -
  • Publisher: Unknown

None

O Cinema espectáculo
  • Language: pt-BR
  • Pages: 172

O Cinema espectáculo

  • Type: Book
  • -
  • Published: 1987
  • -
  • Publisher: Unknown

None

Portugal Divulgação
  • Language: en
  • Pages: 460

Portugal Divulgação

  • Type: Book
  • -
  • Published: 1978
  • -
  • Publisher: Unknown

None

Gramática da Criação
  • Language: pt-BR
  • Pages: 78

Gramática da Criação

  • Categories: Art
  • Type: Book
  • -
  • Published: 2021-03-01
  • -
  • Publisher: Leya

Para Kandinsky, a cor, a forma e o conteúdo na pintura foram sempre motivo de estudo e de reflexão, bem evidentes nos textos aqui reunidos, que constituem uma verdadeira gramática da criação da arte, e em especial da arte abstracta.