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This first-person account, by the youngest of eight children of a pious Jewish family from Sosnowiec in Poland, is remarkable for the faith shown by a teenager faced with the horrifying realities of the Holocaust. Edward Gastfriend, known as Lolek as a boy, remembers in heart-wrenching detail the seven years he survived in German-occupied Poland.
This book is an in-depth reflection and analysis on why and how unsettling empathy is a crucial component in reconciliatory processes. Located at the intersection of memory studies, reconciliation studies, and trauma studies, the book is at its core transdisciplinary, presenting a fresh perspective on how to conceive of concepts and practices when working with groups in conflict. The book Unsettling Empathy has come into being during a period of increasing cultural pessimism, where we witness the spread of populism and the rise of illiberal democracies that hark back to nationalist and ethnocentric narratives of the past. Because of this changed landscape, this book makes an important contri...
Heirs to the legacy of Auschwjtz, the children and grandchildren of Holocaust survivors and perpetrators have always been thought of as separated by fear and anger, mistrust and shame. This groundbreaking study provides a forum for expression in which each group reflects candidly upon the consuming burdens and challenges it has inherited. In these intensely personal and frequently dramatic pieces, understandable differences surface. The Jewish second generation is unified by a search for memory and family. Their German counterparts experience the opposite. Yet surprising common ground is revealed. Each group emerges out of households where, for vastly different reasons, the Holocaust was not...
This work includes international secondary literature on anti-Semitism published throughout the world, from the earliest times to the present. It lists books, dissertations, and articles from periodicals and collections from a diverse range of disciplines. Written accounts are included among the recorded titles, as are manifestations of anti-Semitism in the visual arts (e.g. painting, caricatures or film), action taken against Jews and Judaism by discriminating judiciaries, pogroms, massacres and the systematic extermination during the Nazi period. The bibliography also covers works dealing with philo-Semitism or Jewish reactions to anti-Semitism and Jewish self-hate. An informative abstract in English is provided for each entry, and Hebrew titles are provided with English translations.
This resource guide will help readers locate over 800 first-person accounts, fiction, poetry, art interpretations, and music by Holocaust victims and survivors, as well as videos relating the testimony and experiences of Holocaust survivors. In addition to the few well-known writers, artists, and musicians whose work so eloquently captures their experience during the Holocaust, this guide will introduce the reader to the lives and work of more than 250 lesser known or unrecognized writers, artists, and musicians from many countries who documented their experience of persecution at the hands of the Nazis. This guide will help students gain firsthand knowledge of what it was like to experience...
In recent decades, scholarship has turned to the role of gender in the Holocaust, but rarely has it critically investigated the experiences of men as gendered beings. Beyond the clear observation that most perpetrators of murder were male, men were also victims, survivors, bystanders, beneficiaries, accomplices, and enablers; they negotiated roles as fathers, spouses, community leaders, prisoners, soldiers, professionals, authority figures, resistors, chroniclers, or ideologues. This volume examines men's experiences during the Holocaust. Chapters first focus on the years of genocide: Jewish victims of National Socialism, Nazi soldiers, Catholic priests enlisted in the Wehrmacht, Jewish doctors in the ghettos, men from the Sonderkommando in Auschwitz, and Muselmänner in the camps. The book then moves to the postwar context: German Protestant theologians, Jewish refugees, non-Jewish Austrian men, and Jewish masculinities in the United States. The contributors articulate the male experience in the Holocaust as something obvious (the everywhere of masculinities) and yet invisible (the nowhere of masculinities), lending a new perspective on one of modernity's most infamous chapters.
What if you uncovered a Nazi paper trail that revealed your father to be a man very different from the quiet, introspective dad you knew . . . or thought you knew? Growing up, author Mel Laytner saw his father as a quintessential Type B: passive and conventional. As he uncovered documents the Nazis didn’t burn, however, another man emerged—a black market ringleader and wily camp survivor who made his own luck. The tattered papers also shed light on painful secrets his father took to his grave. Melding the intimacy of personal memoir with the rigors of investigative journalism, What They Didn’t Burn is a heartwarming, inspiring story of resilience and redemption. A story of how desperate survivors turned hopeful refugees rebuilt their shattered lives in America, all the while struggling with the lingering trauma that has impacted their children to this day.
Different Horrors, Same Hell brings together a variety of essays demonstrating the breadth of contributions that feminist theory and gender analysis make to the study of the Holocaust. The collection provides new perspectives on central works of Holocaust scholarship and representation, from the books of Hannah Arendt and Ruth Kl�ger to films such as Claude Lanzmann's Shoah and Steven Spielberg's Schindler's List. Interviews with survivors and their descendants draw new attention to the significance of women's roles and family structures during and in the aftermath of the Holocaust, and interviews and archival research reveal the undercurrents of sexual violence within the Final Solution. As Doris Bergen shows in the book's first chapter, the focus on women's and gender issues in this collection "complicates familiar and outworn categories, and humanizes the past in powerful ways."