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Puppetry and Puppets
Puppets have existed in one form or another in almost every culture throughout the history of man. In Puppetry: A World History, Eileen Blumenthal provides a comprehensive overview of the history and technique of puppetry and examines in depth and detail the unique nature and abilities of puppets and the countless roles they have played in human societies across the globe for thousands of years. Blumenthal draws examples from an astonishing array of puppeteers and performances, as well as works of art and historical artifacts to provide readers with a comprehensive view of the world of constructed actors and the eclectic, and often eccentric, artists who created them. From bunraku to Miss Piggy, from the shadow puppets of Java to Howdy Doody, from African marionettes with outsize genitalia to sweet and loveable Lamb Chop, from Senor Wences's famous hand (literally) puppet to the minimalism of Russian puppet master Sergei Obraztsov.
Julie Taymor
This traces Taymor's background & achievements in theater, opera, & film. Taymor herself provides notes on each of her projects, along with her original drawings for costumes & characters.
Joseph Chaikin
Joseph Chaikin's Open Theater was the most celebrated and influential of the experimental companies that rocked American theatre in the 1960s. His work in that group and since has affected not only the face but the spirit of American theatre. Eileen Blumenthal's study of Chaikin goes beyond previously available material, drawing extensively on private notebooks, workshop records, and dozens of personal interviews conducted over nine years. She brings additional insights from a decade of observing Chaikin's private workshops and rehearsals. This lively account presents Chaikin's ideas about the stage as they have developed since the late 1950s, an inside view of his laboratory explorations in the Open Theater and the Winter Project, and reconstructions of his creative processes in developing ensemble works and directing plays. More than seventy photographs - many of them previously unpublished - include workshop and rehearsal shots as well as production photos. There is also an extensive bibliography.
My Profession
A profile of the authors life as a famous Soviet puppeteer and puppet theatre director. He describes childhood impressions, writes of earlier professions as artist and actor, and finally about his personal experiences with puppetry which helped him achieve mastery of his craft.Born in Moscow in 1901, he describes every step he took to his profession, how he worked on individual productions, and an account of all of his productions. In the 1920s Sergei Obraztsov founded the State Central Puppet Theatre in Moscow --- the biggest in Russia, an educational center of professional and amateurs theatre groups. The center houses the museum of theatrical puppets, a library on the theme, manuscript and pedagogical departments, and one of the worlds largest collection of theatrical puppets (about 3000 from 50 countries). Now over 50 years old, The Sergei Obraztsov Central Puppet Show has entertained tens-of-thousands of fans in 50 different countries, with a witty program that parodies slipshod variety performances.
Puppets and "popular" Culture
Shershow thus suggests that so-called high and low practices thoroughly interpenetrate one another, forcing us to question whether rival social groups ever truly have their own separate "cultures."
Masked Performance
Growing out of a series of articles written over a 15 year period, and illustrated with over 100 photos, this volume offers a narrowed focus examination of various performing traditions that rely on the expressive power and imagination of masks. It explores the redefinition of self into "other," when the mask is worn, and examines actors and their performances in Papua New Guinea, Orissa, India, and Bali.
War Nerd
“[A] raucous, offensive, and sometimes amusing CliffsNotes compilation of wars both well-known and ignored.” —Utne Reader Self-described war nerd Gary Brecher knows he’s not alone, that there’s a legion of fat, lonely Americans, stuck in stupid, paper-pushing desk jobs, who get off on reading about war because they hate their lives. But Brecher writes about war, too. War Nerd collects his most opinionated, enraging, enlightening, and entertaining pieces. Part war commentator, part angry humorist à la Bill Hicks, Brecher inveighs against pieties of all stripes—Liberian generals, Dick Cheney, U.N. peacekeepers, the neo-cons—and the massive incompetence of military powers. A pro...
Actor Training
Presents an introduction to how actor training shapes modern theatre.
Jottings Under Lamplight
Literature in Times of Revolution (1927) -- Miscellaneous Thoughts (1927) -- The Divergence of Art and Politics (1928) -- Literature and Revolution: A Reply (1928) -- An Overview of the Present State of New Literature (1929) -- A Glimpse at Shanghai Literature (1931) -- On the "Third Type of Person" (1932) -- The Most Artistic Country (1933) -- The Crisis of the Small Essay (1933) -- V. On Modern Culture -- Impromptu Reflections No. 48 (1919) -- Untitled (1922) -- What Happens after Nora Walks Out (1924) -- On Photography and Related Matters (1925) -- Modern History (1933) -- Lessons from the Movies (1933) -- Shanghai Children (1933) -- How to Train Wild Animals (1933) -- Toys (1934) -- The Glory to Come (1934) -- The Decline of the Western Suit (1934) -- Take-ism (1934) -- Ah Jin (1936) -- Written Deep into the Night (1936) -- Notes -- Lu Xun's Oeuvre -- Acknowledgments -- Illustration Credits -- Index
Earth in Flower
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